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1984 年,一款入门级的数字混响器问世,却对现代音乐产生了深远的影响。过去 30 多年间,几乎所有顶级录音棚都能见到它的身影——原始的 PCM-60 已成为 80 年代紧致、有力混响的代名词。
如今,我们将这款标志性硬件混响的灵魂与特质带入 21 世纪,结合先进的 DSP 技术和现代化的工作流程优化。
介绍 Pulse —— 对经典 PCM 音色的现代演绎。
探索 Pulse
无论你是想重现原始硬件的每一个细节,还是想将这段传奇之声带向全新的未知领域,Pulse 都能轻松实现,得益于它简洁明晰的界面。
标志性的 PCM 混响
PCM,全称 脉冲编码调制(Pulse Code Modulation),是一项在 80 年代初引入的技术,后来成为数字音频处理的主要方式。随着时间推移,这项技术得到了显著提升,但在 1984 年,它被认为是我们如今会称为 低保真、颗粒感强或不够真实 的声音。这与 1960 年代有机、自然、纯净的板式和弹簧混响形成了鲜明对比。
然而,时光快进近 40 年,正是这些特质,让这种混响在今天再次变得无比珍贵。它的声音个性鲜明、有力、辨识度极高。
当年的硬件功能有限,常常作为调音台上的发送通道使用,再通过 EQ、压缩器及其他处理来进一步塑造。但在 Pulse 中,我们不仅加入了定制 DSP 和音色塑形控制,将这款经典推向现代,同时也让操作变得轻松直观。无论你是需要快速得到专业效果的制作人,还是刚开始为自己人声做工程处理的创作者,Pulse 都能轻松满足。
Shape
声音的起始部分往往最响亮,这就是 瞬态(Transient)。过于突出的瞬态会导致混响听起来单薄或无力,因为声音的延音(尾部)要安静得多。
Pulse 的 Shape 参数智能地降低瞬态音量,让混响信号更华丽、更厚实、更深沉,同时不会改变原始干声,也无需像传统混响那样通过额外的发送和处理器来补救。
Modulate
我们基于多年使用硬件混响的经验,开发了特别调校的 Flux 控制。所有优秀混响的共同特征之一,就是它们能创造出空间感和运动感。
Flux 通过巧妙的电平依赖滤波与创意调制,实现了这种动态与深度。轻度使用时,它能带来细腻的三维空间流动感;极端设置下,你则能探索全新的声学世界,获得华丽的合唱般调制效果与低保真质感。
要不要我把 Glow 和 Pulse 的翻译整理成一份风格统一的中文介绍合集(像插件系列的宣传册那样,便于直接展示或分享)?
In 1984 an entry level digital reverb was released that would go on to have a profound impact on modern music. Finding a home in nearly every high-end studio over the past 30 years, the original PCM-60 became synonymous with tight and punchy 80s reverb.
We’ve taken the soul and character of this iconic hardware reverb and brought it into the 21st century with advanced DSP and modern workflow enhancements.
Introducing Pulse – A modern take on the classic PCM sound.
Explore Pulse
Whether you want to recreate every nuance of the original hardware or take this iconic sound to new and unchartered territory, Pulse allows you to easily with it’s clear and concise interface.
Iconic PCM Reverb
PCM refers to Pulse Code Modulation, the technology introduced in the early 80s that would go on to become the primary method for processing digital audio. Over the years this technology would improve considerably, but in 1984 it was considered now what we would label Lo-fi, Grainy or Unrealistic. This was in stark contrast to the Plates and Springs of the 1960s which sounded Organic, Natural and Clean.
However, fast forward nearly 40 years and it is exactly these characteristics that make this reverb so desirable again today. Its sound is characterful, punchy and unmistakable.
The original unit was limited in features and was often used as a send on a mixing console where EQ, Compression and other studio processing could be used to enhance it further. With Pulse, we’ve not only implemented custom DSP and tone shaping controls to bring this classic into the modern era, but we’ve done so in a way that makes it effortless and easy to dial in – whether you’re a producer looking for professional results quickly, or a songwriter just getting started in engineering your own vocals…
Shape
The initial portion of a sound is often the loudest, this is called the transient. loud transients can cause Reverb to sound thin or weak because the sustain portion, or tail, of the sound is much quieter.
Pulse’s Shape parameter solves this problem by intelligently lowering the transient volume to make the Reverb signal lusher, thicker and darker in tone, all without changing the original dry signal or needing unnecessary sends with additional processors like traditional reverbs.
Modulate
Our custom tuned Flux control was developed on our years of experience using hardware reverbs. One of the most important elements that all great reverbs have in common is the sense of space and movement they create.
Flux creates this same behaviour and sonic depth through clever level-dependant filtering and creative under-the-hood modulation. Used subtly it can add a gentle sense of 3D movement and depth. At extreme levels you can explore totally new worlds of lush chorus-like modulation and lo-fi textures.