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下一代动态处理

ADPTR Audio的SCULPT代表了动态和音调控制的未来。专为母带和组总线设计,SCULPT让您能够以其他处理器无法实现的方式彻底且干净地重塑音色。其核心是一个极其透明的“向上”压缩器,一个更传统的向下压缩器,以及强大的音调和瞬态“雕刻”模块。您可以将其用于为母带和混音总线增添精致的触感,或者增强样本、音轨和乐器组内部的特定元素。

四个模块并行运行

SCULPT基于四个并行运行的动态模块构建。向上压缩模块提供了一种不同寻常的动态控制方式,具有更高的透明度,而高质量的向下压缩模块则提供了更传统的动态控制。独特的音调雕刻模块能够突出或抑制音频中的特定方面,而瞬态雕刻模块则操控每个声音的起始部分,精准控制其声音“包络”。每个模块都配有独立的静音、独奏和输出电平计,您可以清晰地看到和听到它们对音频的影响。

主音调调节器

SCULPT的每个模块都配有频率控制,影响雕刻分析信号的方式。这些频率控制在压缩模块中充当侧链均衡控制,在音调雕刻模块中充当音调平衡控制,在瞬态雕刻模块中充当瞬态选择控制。音调雕刻模块还包括一个音调平衡图,显示音轨的频率平衡,方便实时监控音色。SCULPT的魅力在于它不依赖频率相关的处理。相反,它通过逐样本调整输入增益,从而带来惊人的透明效果。

无失真动态控制

SCULPT采用最先进的包络检测算法(EDA),模拟人类听觉处理声音的方式,使其比传统压缩技术更具响应性。EDA能够以极快的精度检测声音的包络,使SCULPT即使在使用超快的攻击和释放设置处理复杂素材时,也能实现无失真的工作。使用SCULPT,您可以在应用从轻到重的侧链压缩时,再也不用担心失真问题。

真正有效的自动增益

大多数动态处理器的问题在于,它们在应用增益补偿时没有考虑感知响度,这意味着您常常会得到一个“音量匹配”的信号,但其响度与输入信号相比要么过大,要么过小。SCULPT通过分析输入音频信号的完整频率响应,自动调整控制参数,从而让您能够进行精准的音量匹配A/B对比。SCULPT随附的预设也会根据输入音频信号的动态变化自动适应,以便您听到它们预期的声音效果。

特点

  • 透明地塑造单个轨道、总线和母带的动态、音色和瞬态。
  • 包括向上压缩/扩展器、向下压缩/扩展器、音调平衡模块和瞬态处理器的四个动态模块。
  • 一个音调平衡可视化工具,准确显示输入音频的音调平衡。
  • 每个模块都配有低高频架滤波器和谱倾斜均衡器。
  • 独立旁路每个模块的频段并调整所施加的处理量,以精细调节您的声音。
  • 包络检测算法(EDA),即使在处理复杂素材时也能实现无失真处理。
  • 高级自适应自动增益(AAAG)能够分析输入音频,并根据人类听觉方式精确地应用增益补偿。
  • 一个主混音面板,提供旁路控制、湿干混合旋钮以及中/侧处理选项。
  • 丰富的预设库,能够根据素材需求进行自适应调整。
  • 主输出电平计,具备可调范围。
  • 支持单声道(1进1出)通道配置。
  • 插件主题选项。
  • 包含:
    • Hype v1.0.1
    • Metric AB v1.4.1
    • Sculpt v1.3.0
    • StreamLiner v1.1.0
  • x64: AAX, VST3, VST2 | x86: JBridge文件
  • 卸载任何/所有先前安装的ADPTR PA插件,然后直接安装!

Next generation dynamics processing

ADPTR Audio’s SCULPT represents the future of dynamic and tonal control. Designed for master and group buses, SCULPT lets you thoroughly and cleanly reshape your sounds in ways that other processors simply can’t. At its heart are a remarkably transparent “Upward” Compressor, a more traditional Downward Compressor, and powerful Tonal and Transient “Sculpt” sections. Use it to add refining touches to masters and mix buses, or to enhance specific elements inside of samples, stems and instrument groups.

Four modules running in parallel

SCULPT is built on top of four dynamic modules that run in parallel. The Upward Compression module offers an uncommon spin on dynamic control with greater transparency, while a high-quality Downwards Compression offers more conventional dynamic control. The one-of-a-kind Tone Sculpt module accentuates or suppresses specific aspects of your audio, while the Transient Sculpt module manipulates the onset of each sound for precise control over its sonic “envelope”. Each module has its own mute, solo and output meter so you can see and hear how they’re affecting your audio.

A master tone manipulator

Each of SCULPT’s modules come with frequency controls that affect the way Sculpt analyzes your signal. These function as sidechain EQ controls within the compressor modules, as tonal balance controls within the Tone Sculpt module, and as transient selection controls within the Transient Sculpt module. The Tone Sculpt module also includes a tonal balance graph that displays the frequency balance of tracks, allowing for constant tone monitoring. The beauty of SCULPT is that it doesn’t apply frequency-dependent processing. Instead, it affects the gain of your input on a sample-by-sample basis, which leads to unbelievably transparent results.

Distortion-free dynamics control

SCULPT uses a state-of-the-art Envelope Detection Algorithm (EDA) that mimics the way humans hear sounds, making it more responsive than conventional compressor technology. EDA detects the envelope of sounds with lightning-fast precision, allowing SCULPT to operate distortion-free, even when processing complex material using super-fast attack and release settings. Use SCULPT to apply light to heavy sidechain compression without worrying about distortion ever again.

Auto-Gain that actually works

The issue with most dynamics processors is that they don’t take perceived loudness into account when applying makeup gain, meaning you often end up with a “level matched” signal that sounds much louder or quieter than your input signal. SCULPT analyzes the full frequency response of your incoming audio signal and adjusts its knobs accordingly, allowing you to make accurate level-matched A/B comparisons. The presets included with SCULPT also adapt themselves based on the dynamics of your incoming audio signal so that you can hear how they’re intended to sound.

FEATURES

Transparently shape the dynamics, tone, and transients of individual tracks, busses, and masters.

Four dynamics modules that include an upwards compressor/expander, downwards compressor/expander, tonal balance module, and a transient processor.

A Tonal Balance Visualizer that accurately displays the tonal balance of incoming audio.

Each module comes with low and high-shelf filters and a Spectrum Tilt EQ.

Independently bypass each module’s bands and scale the processing applied to fine-tune your sound.

An Envelope Detection Algorithm (EDA) that results in distortion-free processing, even when processing complex material.

Advanced Adaptive Auto Gain (AAAG) analyzes incoming audio and accurately applies makeup gain based on the way humans hear sound.

A Master Mixer Panel that provides a bypass control, wet/dry mix knob, and mid/side processing options.

An extensive library of presets that adapt to meet the needs of your material.

Master output meters with adjustable range

Mono (1 in 1 out) channel configuration support

Plugin Themes

Included:

Hype v1.0.1

Metric AB v1.4.1

Sculpt v1.3.0

StreamLiner v1.1.0

x64: AAX, VST3, VST2 | x86: JBridge files

Uninstall any/all previous ADPTR PA, then just install!

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