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Atelier Series Sasaki Trumpet 是一款由会话音乐家和教育家 Mikio(Miki)Sasaki 演奏的连奏小号音源库。
在德克萨斯州奥斯汀的 Orb Studios 录制——目标是创建一个响应迅速、充满活力和实用性的乐器。为实现这一目标,我们决定在干燥的录音室环境中录制所有素材。这样,你就可以在添加你喜欢的混响之前,自由地定制声音。
小号演奏的特性部分归因于颤音的风格和质量。我们要求 Miki 演奏适合各种充满活力环境的颤音。我们还以“冲动”方式录制了连奏,以捕捉更具上下文相关性的过渡;适用于充满真实运动的活力旋律。
管乐器(尤其是铜管乐器)的音准会随着音量、音域和乐段难度的变化而变化。我们为每个补丁提供了两个版本,让作曲家可以选择保留演奏中的自然内部音准。
最后,我们还录制了一支极具情感的粗管短号,具有完全不同的连奏演奏风格和颤音,适用于情感和电影环境。真是美极了。
小号演奏家 Mikio Sasaki 是一位居住在德克萨斯州中部的自由音乐家,现任德州路德大学的小号讲师。他曾是著名的圣路易斯铜管乐队的成员,并曾在纽约市担任自由音乐家和布鲁克林学院的兼职讲师和铜管乐团主任。除了作为一名成功的编曲家和敬业的音乐教育家,他还保持着积极的演出日程。
来自一个拥有古典、爵士和蓝草音乐背景的家庭,Mikio 是一名灵活的演奏家,能够在古典、爵士及其他风格之间无缝切换。他曾与各种乐队和节日进行国际和国内演出,包括圣路易斯铜管五重奏、yMusic、西北室内乐团、Paragon 拉格泰姆乐团、美国流行乐团、圣安东尼奥交响乐团、里士满交响乐团、百老汇《玛蒂尔达》剧组以及作为奥斯汀交响乐团的独奏家。
作为一名教学艺术家,Mikio 激励从小学到大学的学生追求音乐梦想。他曾参与纽约的许多教学艺术家项目,包括音乐进步计划、小交响乐团、Usdan 艺术夏令营和茱莉亚预科。他在德州路德大学和布鲁克林学院的最新任命提供了在大学层面进一步推动其教育使命的机会,激发下一代的音乐性和创造力。
Mikio 是德克萨斯大学奥斯汀分校的博士候选人,预计将于2022年春季获得音乐艺术博士学位。他在耶鲁大学音乐学院(2015年获得硕士学位)和茱莉亚学院(2013年获得学士学位)完成了之前的学位,师从 Allan Dean、Mark Gould、Raymond Mase 和 Ray Sasaki。
“Natural” 补丁变体非常适合独奏,不与伴奏共享相同音域。“Tuned” 变体在与其他乐器在相同音域上重复旋律线时效果很好。一定要探索两种选择!
虽然我们喜欢为这个音源库选择的可调混响,但我们建议将其关闭,并通过你喜欢的混响插件处理小号,以赋予其适合你曲目的存在感/空间感。在大多数演示曲目(除了粗管短号)中,混入了大约30%的小型环境混响。这样真的会让声音栩栩如生。
为了给你的小号音轨增加额外的真实感和活力,在“困难”乐段中快速稍微向上滑动音高轮,以模仿尖锐的音高修正。
补丁:
- 多功能
- 情感粗管短号
- 杯形弱音器
- 哈蒙弱音器无杆
- 哈蒙弱音器有杆
- 浓厚主音
- 可演奏的快速音阶
特性:
- 连奏小号和粗管短号
- 自然的渐进颤音
- 包含三种不同的弱音器
- “Natural”和“Tuned”补丁变体
- 干录音以便混音灵活性
- 可调节的自定义大厅脉冲混响
更新日志
版本 1.1.0:
- 浓厚主音更新
需要 Kontakt 5.8.1 或更高版本的完整零售版!
Atelier Series Sasaki Trumpet is a legato trumpet library performed by session musician and educator, Mikio (Miki) Sasaki.
Recorded at Orb Studios in Austin, Texas – the goal was to create a responsive/snappy instrument full of energy, vibe and utility. One decision we made to help facilitate this goal was to record all of the material in a dry studio space. This way you have the option to really customize the sound before hitting it with your favorite reverb.
Part of the character of a trumpet performance is attributed to the style and quality of vibrato. We asked Miki to perform vibrato that could suit a variety of energetic contexts appropriately for each setup. We also recorded the legato in an “impulsive” fashion to capture transitions that are more contextually-relevant; suited for energetic lines with real movement.
Wind instruments (certainly brass) tend to share changes in intonation depending on dynamics, range and difficulty of a passage. We’ve provided two variations of each patch to give composers the option to include performances with their natural, internal tuning intact.
Lastly, we also recorded a wonderfully-emotive flugelhorn with an entirely different legato performance style and vibrato; suited for emotional and cinematic contexts. A real beaut’.
trumpet player, is a freelance musician based in central Texas and Instructor of Trumpet at Texas Lutheran University. He was previously a member of the venerable Saint Louis Brass and based in New York City as a freelance musician and Adjunct Lecturer and Brass Ensemble Director at Brooklyn College. He maintains an active performing schedule in addition to his activities as an accomplished arranger and a dedicated music educator.
Hailing from a family of classical, jazz, and bluegrass musicians, Mikio is a flexible performer with the ability to switch seamlessly between styles, classical, jazz, and beyond. He has enjoyed international and national performances with a wide variety of groups and festivals, including Saint Louis Brass Quintet, yMusic, Chamber Music Northwest, Paragon Ragtime Orchestra, American Pops Orchestra, San Antonio Symphony, Richmond Symphony, Broadway’s Matilda, and as a soloist with the Austin Symphony.
As a teaching artist, Mikio inspires students elementary to collegiate in their journey to musical fulfillment. He has worked with numerous teaching artist programs around New York, including the Music Advancement Program, Little Orchestra Society, Usdan Summer Camp for the Arts, and Juilliard Precollege. His recent appointments at Texas Lutheran University and Brooklyn College offered the opportunity to further his educational mission at the collegiate level, inspiring musicality and creativity in future generations.
Mikio is a doctoral candidate at The University of Texas at Austin, expecting to earn his Doctorate of Musical Arts in Spring of 2022. He earned his previous degrees at the Yale University School of Music (MM ’15) and the Juilliard School (BM ’13), studying under teachers Allan Dean, Mark Gould, Raymond Mase, and Ray Sasaki.
The “Natural” patch variations are great for solos that don’t share the same register as the accompaniment. The “Tuned” variation works well when doubling a melody line with other instruments in the same register. Definitely explore both options!
While we like the adjustable reverb chosen for this library, we would suggest turning it off and putting the trumpet through your favorite reverb plugin to give it a sense of presence/space that suits your track. For most of the demo tracks (save for the flugel), a small ambient room verb was mixed at around 30%. It really does come alive doing this.
To add extra realism and spice to your trumpet tracks, try riding the pitch wheel slightly upwards quickly during more “difficult” passages to imitate sharp pitch corrections.
Patches– Workhorse
– Emotional Flugel
– Cup Mute
– Harmon No Stem
– Harmon Stem In
– Fat Lead
– Playable RunsFeatures– Legato trumpet & flugelhorn
– Performed with natural, progressive vibrato
– Includes three different mutes
– “Natural” and “Tuned” patch variations
– Recorded dry for mixing flexibility
– Adjustable reverb of custom hall impulse
Changlelog
Version 1.1.0:
– Fat Lead Update
Requires FULL retail version of Kontakt 5.8.1 or higher!