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非凡的铝制铃铛
世界著名打击乐大师保罗-克拉维斯(Paul Clarvis)演奏的这一系列铝制铃铛是木槌家族中令人兴奋的新成员。由驻场工程师杰克-杰克逊在 AIR 工作室的大厅中进行了专业录制,这种独特的金属音色将为您的打击乐收藏增色不少。

创新的金属打击乐
Spitfire Audio 的目标是向作曲家和制作人介绍创新、罕见的声音。当需要调谐金属打击乐器时,人们首先想到的是柴可夫斯基的钢片琴或电光琴。阿鲁风也有类似的音效魔力,但却不会让人一眼认出。这套令人叹为观止的录音通过世界上最优秀的作曲家所使用的最佳信号路径,为您带来神奇的原声效果。

我们与世界著名打击乐演奏家保罗-克拉维斯(Paul Clarvis)合作,在 AIR Studios 音乐厅的辉煌环绕中录制了这一非凡的槌类乐器–铝制编钟。这里是世界上最好的配乐舞台之一,也是我们录制大部分交响乐和打击乐采样库的地方,所有这些采样库的设计都是为了在音效上保持一致。录音由 AIR Studios 的专业常驻工程师杰克-杰克逊(Jake Jackson)通过一系列无价的老式麦克风,经由尼夫 “蒙特塞拉特”(Montserrat)前置放大器,录制到一台经过精心保养的 Studer 2 英寸磁带机,然后通过最好的 Prism AD 转换器,以 96k 的数字格式录制。

Aluphone
阿鲁风是一个由铝制铃铛组成的两个半八度半音阶阵列,主要用马林巴木槌和一些节拍器演奏,既有阻尼的,也有延音的,并有多种动态层次和循环的选择。我们将其与易于使用的图形用户界面相结合,让您可以立即访问许多不同的麦克风选择(近距离、树状、环境、外引、图库、中间),因此您可以立即定制录音,以适应您的乐谱。我们还为您提供了由工程师杰克-杰克逊(Jake Jackson)策划的两组混音。

保罗-克拉维斯曾在无数大片中演出,数十年来一直是汉斯-齐默打击乐团队的一员。克拉维斯还曾负责领导 2012 年伦敦奥运会开幕式的开创性鼓队。他将自己的精湛技术和热忱的合作精神带到了每一场会议中。

概览面板
这是旋律乐器的主界面。其默认视图显示所有可用的演奏技巧,有一个简单的麦克风混音器,并包括主要功能控制器。

常规控制面板
该视图可进一步深入控制乐器,显示所有可用信号和功能控制器,并可从内存中清除技巧,以减少系统使用。

绪论
在该视图中,你可以将音符添加到音型序列器中,选择在哪个键上触发,然后播放,以立即创作出奥斯蒂纳托。它就像合成器上的琶音器。

Aluphone

单个音色

长弓
长指
长音-硬拍子
长:软拍子
短 – 弓形
短 – 硬拍子
短 – 软拍子其他补丁Aluphone – COG 补丁
Aluphone – 长款
Aluphone – 短裤
Aluphone – 时间机器补丁麦克风和混音
麦克风C – 关闭
T – 树状
A – 环境
O – 外置
G – 画廊
M – 中混音M – 中混音
B – 大混音

 

Extraordinary aluminium bells

An exciting addition to the mallet family, this extraordinary array of aluminium bells has been performed by world-renowned percussionist Paul Clarvis, a master of his craft. Expertly recorded in the Hall at AIR Studios by resident engineer Jake Jackson, this is unique metallic sound will enhance your percussion collection.

Innovative metallic percussion

Spitfire Audio aims to introduce composers and producers to innovative, rare sounds. When reaching for tuned metallic percussion, the first thing that springs to mind is the Tchaikovsky celeste, or the glockenspiel. The aluphone conjures similar sonic magic, without being instantly recognisable. This awesome set of recordings gives you acoustic magic through the finest signal path, as used by the world’s best composers.

We collaborated with world-renowned percussionist Paul Clarvis to capture this extraordinary addition to the mallet family – an otherworldly array of aluminium bells, played in the glorious surrounds of the Hall at AIR Studios. One of the finest scoring stages in the world, this is where we record the majority of our symphony and percussion sample libraries, all of which are designed to lock together sonically. Recorded by AIR Studios’ expert resident engineer Jake Jackson through an array of priceless vintage microphones via Neve “Montserrat” pre-amps, to a beautifully serviced Studer 2” tape machine, and then into digital at 96k via the best Prism AD converters.

The Aluphone

The aluphone is a two and a half octave chromatic array of aluminium bells, played mainly with marimba mallets plus a selection of beaters, both damped and sustained, with a broad selection of dynamic layers and round robins. We’ve coupled this with our easy to use GUI, which gives you instant access to many different microphone selections (Close, Tree, Ambients, Outrigger, Gallery, Mid) so you can instantly customise the recordings to suit your score. We also give you two mixes, curated by engineer Jake Jackson.

Paul Clarvis has performed on countless blockbuster movies, having worked as part of Hans Zimmer’s team of percussionists for decades. Clarvis was also charged with leading the seminal drum corps for the London Olympics Opening Ceremony in 2012. He brings his technical prowess and zealous spirit of collaboration to every session.

The Overview panel

This is the main interface for melodic instruments. Its default view displays all available playing techniques, has a simple microphone mixer and includes the main feature controllers.

General Controls panel

This view allows further in-depth control of the instrument, showing all available signals and feature controllers, as well as the ability to purge techniques from memory to reduce system usage.

The Ostinatum

In this view you can add notes to a pattern sequencer, select which key it triggers on and then play for instant ostinato creation. It’s like an arpeggiator on a synthesiser.

Aluphone

Individual patches

Long – bowed
Long – fingers
Long – hard beater
Long – soft beater
Short – bowed
Short – hard beater
Short – soft beater
Other patchesAluphone – COG patches
Aluphone – longs
Aluphone – shorts
Aluphone – time Machine patches
Mics & mixes
Mics
C – Close
T – Tree
A – Ambients
O – Outrigger
G – Gallery
M – Mid
MixesM – Medium Mix
B – Broad Mix
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