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三体技术公司的 Cenozoix 压缩器以恐龙灭绝后的新生代命名。这款混音和母带处理插件包含多项创新,引领压缩器进入新时代。

获得 12 种经典压缩器的音效

Cenozoix 具有适用于所有基本制作元素的压缩算法,包括 “鼓”、”人声”、”总线 “和 “母带”,以及重现经典压缩器音效的算法,如 “Black FET”、”Blue FET”、”Vintage Opto”、”Virtual-Mu “等,实现了实用性和多功能性的完美平衡。从紧凑现代的音效到厚重复古的魅力,这款压缩器插件能满足你所有的压缩需求。

在混音中应用无失真压缩功能

使用现有的压缩器时,超快的攻击和释放时间可能会导致不必要的失真。Cenozoix 压缩器利用翘曲机制来避免这些失真效果,使其成为峰值和侧链压缩的首选。使用它可以抑制刺耳的小军鼓瞬态,或创建与小军鼓相得益彰的低音。

使用 ADAA 减少混叠,降低 CPU 负载

传统的抗锯齿方法旨在防止高频失真,依赖于 CPU 密集型过采样。反派生抗锯齿 (ADAA) 是 Native Instruments 开发的一种音频处理技术,最初用于波形器。它不依赖于过采样,而是利用先进的数学技术来减少混叠,而不会给 CPU 带来沉重负担。Cenozoix Compressor 是首款采用 ADAA 的压缩插件。

确保峰值压缩自然且反应灵敏

许多压缩器使用静态释放时间,只能满足短瞬态或长瞬态的要求,而不能同时满足这两种要求。Cenozoix 压缩器的峰值波峰功能可根据输入信号瞬态的性质动态调整释放时间,确保对动态峰值的控制自然且反应灵敏。因此,它非常适合人声、吉他、鼓声和立体声母线中的复杂信号。

对压缩包络线进行细致入微的控制

Cenozoix Compressor 插件的峰值检波器和有效值检测器分别用于快速瞬态响应和平滑压缩。并行使用这些检测器可融合它们的优势,既能提供即时响应,又能提供适合复杂音频素材的一致压缩效果。你还可以选择使用纯峰值或基于有效值的检测,这最适合单个音轨元素。

特点
12 种压缩算法,重现经典压缩器的音效

12 种常用压缩算法

无失真压缩

反衍射抗锯齿 (ADAA)

双峰值和有效值检测

可动态调整的释放时间

奇次和偶次谐波生成

1.0.1 版(2024 年 2 月 21 日)

错误修复

– 过采样现在能正确工作。修正了某些内部 DSP 代码在启用过采样时仍保持原始采样率而不是初始化为更高采样率的问题,这可能会导致低频丢失。

– 修复了延迟补偿问题,该问题会在混合干信号和湿信号时导致相位问题。

– Logic 中的撤消现在可以正常工作。

– 修复了重新打开图形用户界面时保持参数显示不正确的问题。

– 现在,在 macOS 上使用 Shift 进行旋钮微调可正常工作。

优化

– 新的过采样红外内核可改善音质,同时略微增加延迟。

– 现在支持 Studio One 中的增益缩减表显示。

The Three-Body Technology Cenozoix Compressor is named after the Cenozoic era, a time following the extinction of the dinosaurs. Packed with innovations, this mixing and mastering plugin is leading the charge into a new age of compressors.

Get the sound of 12 classic compressors

Cenozoix features compression algorithms for all essential elements of production including “Drum,” “Vocal,” “Bus,” and “Mastering,” but also algorithms that recreate the sound of vintage compressors, like “Black FET,” “Blue FET,” “Vintage Opto,” “Virtual-Mu,” and more, delivering the perfect balance of utility and versatility. This compressor plugin can handle all your compression needs, from tight and modern sounds to hefty vintage charm.

Apply distortion-free compression to your mixes

Ultra-fast attack and release times can lead to unwanted distortion when using existing compressors. The Cenozoix Compressor utilizes a warp mechanism to avoid these distortion effects, making it a top choice for peak and sidechain compression. Use it to tame harsh snare transients or create basslines that pump alongside your kick.

Reduce aliasing with low CPU load using ADAA

Traditional anti-aliasing methods, which aim to prevent high-frequency distortion, rely on CPU-intensive oversampling. Anti-derivative antialiasing (ADAA) is an audio processing technique developed by Native Instruments, originally used for waveshapers. Instead of depending on oversampling, it leverages advanced mathematics to reduce aliasing without the heavy CPU load. The Cenozoix Compressor is the first compressor plugin to incorporate ADAA.

Ensure natural and responsive peak compression

Many compressors use a static release time, catering to short or long transients but not both. The Cenozoix Compressor’s peak crest function dynamically adjusts the release time based on the nature of the input signal’s transients, ensuring natural and responsive control over dynamic peaks. This makes it a great fit for complex signals running through your vocal, guitar, drum, and stereo bus.

Gain nuanced control over your compression envelope

The Cenozoix Compressor plugin features a peak detector for quick transient response and an RMS detector for smooth compression. Using these detectors in parallel blends their strengths, providing both an immediate response and consistent compression suitable for complex audio material. You also have the option to leverage pure peak or RMS-based detection, best suited for individual track elements.

FEATURES:

12 compression algorithms that recreate the sound of classic compressors

12 compression algorithms for common use cases

Distortion-free compression

Anti-derivative antialiasing (ADAA)

Dual peak and RMS detection

Release time that adjusts dynamically

Odd and even harmonic generation

Version 1.0.1 (Feb 21, 2024)

Bug Fixes

– Oversampling now works correctly. Fixed the issue that some internal DSP codes remain at the original sample rate instead of being initialized to a higher sample rate when oversampling is enabled, which may cause the missing low end.

– Fixed an issue with latency compensation which causes phase issues when mixing dry and wet signals.

– Undo in Logic now works correctly.

– Fixed the incorrect display of Hold parameter when reopening the GUI.

– Now knob fine tuning with Shift works correctly on macOS.

Optimizations

– New oversampling IR kernel that improves the sound quality while slightly increasing the latency.

– Now supports the gain reduction meter display in Studio One.

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