现代马林巴琴是非洲巴拉方琴的后代,起源于墨西哥,其典型特征是在金属共鸣管上安装木条,可以使用音栓进行调音。

Soniccouture 的这款乐器采用 5 倍频程的 Yamaha 6100,是与马林巴传奇人物 Keiko Abe 共同设计的。

6100 拥有最先进的技术,采用独有的精确调音、洪都拉斯紫檀木条和焊接共鸣器,演奏时不会发出响声。

颤音流
颤音是一种极富表现力的马林巴技巧,因此我们设计了一个原创的 Kontakt 模块,以无与伦比的精确度模拟这种技巧。它能轻松处理 1 到 4 声部的和声效果(因为马林巴琴演奏者很少使用超过 4 个木槌),并能根据输入的 MIDI 或您的演奏实时智能地重新映射颤音。

使用 MIDI 控制器可实时调节颤音的速度和力度。

Humanise 控制器提供更自然的表现力–以微妙、随机的方式改变音序的时间和速度–让你的创作充满活力和流动感。

乐器面板
主乐器面板包含 ADSR 控制、带包络调制的滤波器部分以及带翻转的立体声宽度。衔接开关位于面板的下半部分。

马林巴琴采样
马林巴琴非常大,直径将近 3 米,这给录音带来了挑战;

我们不可能离这么大的乐器太近,也不可能保持任何合理的立体声图像。

此外,由于我们的目标是录制一个私密的、非环境的录音,因此我们需要一个非常大但相对干燥的录音室。

需要 KONTAKT 6 或 KONTAKT 6 PLAYER 6.6 或更高版本

版本 2.2.0
修正: 效果页面
改进:速度响应 速度响应

A descendant of the African balafon, the modern marimba originated in Mexico, and is typified by wooden bars mounted above metal resonator tubes, which can be tuned using stops.

This Soniccouture instrument features the 5-octave Yamaha 6100, designed with marimba legend Keiko Abe.

The 6100 is state of the art, with exclusive precision tuning, Honduran Rosewood bars and welded resonators for rattle-free playing.

TREMOLO FLOW

Tremolo is such an expressive marimba technique that we’ve designed an original Kontakt module to emulate this with unparalleled accuracy. It comfortably handles 1 to 4 voices of harmony (since marimba players rarely use more than 4 mallets), and will intelligently remap the tremolo in real time based on the incoming MIDI or your playing.

The speed and velocity of the Tremolo can be modulated in real time using a MIDI controller.

The Humanise controls offer even more natural expression – vary the timing and velocity of a sequence by subtle, random amounts – allowing your composition to breathe and flow.

THE INSTRUMENT PANEL

The main Instrument panel contains ADSR controls, a filter section with envelope modulation, and stereo width with Flip. The articulation switches can be seen in the lower half of the panel.

SAMPLING THE MARIMBA

The marimba is massive, almost 3 meters across, which makes recording it a challenge;

it isn’t possible to get too close to an instrument that large and maintain any sort of sensible stereo image.

And since we were aiming for an intimate, non-ambient, recording, we needed a very large but relatively dry studio to work in.

Requires KONTAKT 6 or KONTAKT 6 PLAYER version 6.6 or later

Version 2.2.0

  • FIXED: Effects Page
  • IMPROVED: Velocity Response

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