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特立独行的工程师和设计师汤姆-奥伯海姆（Tom Oberheim）是合成器历史上最多产的人物之一。我们可以在数百张专辑、数十年的先锋乐器设计中听到他的努力，也可以通过预设记忆和 MIDI 等我们日常习以为常的便利功能体验到他的成就。他的影响不亚于任何人，他的设计比大多数人都更经得起时间的考验，如今生产的型号在 40 多年里几乎没有任何变化。他的乐器音色独特，音乐性与生俱来，经常被形容为 “悦耳 “和 “宏大”，这也是理所当然的。

制作一套能彰显这一传统的乐器是最大的挑战：好东西太多了。我们首先列出了自己最喜欢的合成器，然后对它们进行了追踪（在某些情况下这并不容易！），我们花了数百个小时探索它们独特的音质，并手工制作了新的音效供您体验。最终，我们在 49,252 个采样基础上制作了 1,468 个预置，所有这些都是从实际的硬件乐器中录制的–让你在现代软件的便捷中体验到这些乐器所能提供的最佳音效。

OB Legacy 中的所有音色都可完全编辑，并整齐地包裹在受硬件启发的界面中，让你在调整和演奏时感受到合成器的真实效果。所含预置涵盖了所有类型和风格，包括大量面包和黄油补丁、经典复古和现代主旋律。快速浏览类别、试听预置，然后进行编辑、分层，甚至完全转换音效，以满足您的需要，所有这些都具有真实模拟电路的真正温暖、特性和音色。

XP-12
eXpanse
Xpander 采用有史以来最通用的模拟架构之一，全模拟声音配有大量数字控制，包括 5 个 LFO、15 个 VCA、5 个 EG 和 CV/Gate 集成，其灵活性可与完全模块化系统相媲美。通过广泛的程序设计，Xpander 可以提供各种奇妙的音色，从标志性的复古堆叠和野蛮低音，到模拟调频音色和超调制氛围，应有尽有。

M-6k
模拟矩阵
使用 DCO 升级音色架构后，Matrix-6 和 Matrix-1000 的音色更精致、更稳定，同时其谐振低通滤波器和强大的数字调制系统提供了强大的音域和灵活性。通过配备基本音色、效果器和双琶音器的强大而直观的界面，探索这些 6 声道模拟乐器复杂而温暖的音色。

UV-XXX
天鹅绒之王
第一波 OB 合成器（包括 OB-X、OB-Xa 和 OB-SX）的大量音效。丰满、层叠的模拟低音、细腻的前奏、天籁般的垫子、浓郁的铜管乐和不断变化的纹理，都在这里一一呈现。双层结构可让您轻松堆叠、混合和调整补丁，获得前所未有的厚实、经典的 80 年代模拟效果。

6-12
新品种创意
两台以完全不同的视角制作的分支合成器组合在一起，产生了绝妙的效果，一台是 2016 年的现代模拟 6 声道，另一台是 2000 年的虚拟模拟 12 声道。我们在这两台机器上进行了深入的音效设计，并通过我们收集的外置处理器对它们进行了运行，从而产生了一个既有熟悉感，又有新特点和咬合力的音效库。

UV-1
SEM 功率
从 1978 年的经典 OB-1 开始，我们对 SEM 强大的模拟引擎进行了推动和调整，制作出大量带有独特复古单合成器咆哮声的音色。此外，我们还通过收集的复古和现代模拟效果踏板录制了更多层次的音效，创造出全新的音效，当你想将模拟音效提升到震撼音箱的境界时，可以轻松地将它们混合在一起。

UVSR-2
公主
单机架合成器在 90 年代并不罕见，但没有一款能像 MSR-2 这样傲视群雄。作为披着羊皮的狼，我们利用这款 16 声道、16 段多音色的模拟睡眠器，创造出了一些丰富而复杂的声音。与 UV-1 和 UV-XXX 相比，这款合成器略显简洁，但却摆脱了其复古的根源，采用了高分辨率模拟振荡器，音质近乎数码。

体验美国传奇的音色，为您的收藏增添一些最创新、最强大的模拟合成器。

One of the most prolific figures in synthesizer history is the maverick engineer and designer Tom Oberheim. His efforts can be heard across hundreds of albums, decades of pioneering instrument designs, and experienced through conveniences we take for granted on a daily basis including preset memory and MIDI. His influence is as great as any and his designs have stood the test of time better than most, with models in production today that have changed little in over 40 years. The sound of his instruments is distinct and inherently musical, with a character that’s often described as “lush” and “massive”, and rightly so.

Creating a suite of instruments that does justice to this legacy presented the greatest challenge of all; too much good stuff. We started with a list of our favorite synths, and after tracking them down (not an easy thing in some cases!) we spent hundreds of hours exploring their unique sonic qualities and hand-crafting new sounds for you to experience. The result is 1,468 presets built on 49,252 samples, all recorded from the actual hardware instruments – giving you the very best of what these instruments have to offer in the convenience of modern software.

All sounds in OB Legacy are fully editable and come neatly wrapped in hardware-inspired interfaces, giving you the real feel of the synths as you tweak and perform. Included presets cover the full gamut of types and styles, including plenty of bread and butter patches, vintage classics and modern staples. Quickly browse through categories, audition presets, then edit, layer and even completely transform sounds to suite your needs, all with the genuine warmth, character and grit of real analog circuits.

XP-12
The eXpanse

Taking advantage of one of the most versatile analog architectures ever produced, with all-analog voices outfitted with extensive digital controls including 5 LFOs, 15 VCAs, 5 EGs and CV/Gate integration, the Xpander rivals fully modular systems in its flexibility. Extensive programming revealed a wondrous collection of sounds from emblematic vintage stacks and savage basses to analog FM tones and hyper-modulated atmospheres.

M-6k
Analog Matrix

Upgrading the voice architecture with DCO’s gave the Matrix-6 and Matrix-1000 a more refined and more consistent sound while its resonant low-pass filter and robust digital modulation system provided serious sonic range and flexibility. Explore the intricate and warm timbres of these 6-voice analog gems through a robust and intuitive interface loaded with essential sounds, effects and dual arpeggiators.

UV-XXX
Velvet Kings

A massive collection of sounds from the first wave of OB synths, including the OB-X, OB-Xa and OB-SX. Fat, layered analog basses, creamy leads, heavenly pads, rich brass and evolving textures are all here, oozing with as much meaty vintage grit as we could squeeze out of these machines. A dual-layer architecture lets you easily stack, mix and tweak patches for beyond-thick, classic ’80s analog like you’ve never heard it before.

Six-12
New-Breed Creatives

Two offshoot synths made with wildly different perspectives are combined for brilliant results, one a modern analog 6-voice from 2016, the other a virtual analog 12-voice from 2000. Deep sound design was done on both machines while running them through our collection of outboard processors, producing a library of sounds with a sense of familiarity but also a new character and bite that’s all their own.

UV-1
SEM Power

Starting with a classic OB-1 from 1978, the SEM’s powerful analog engine was pushed and tweaked to create a mass of patches that resonate with a distinctive vintage monosynth growl. Additional layers were recorded through our collection of vintage and modern analog effect pedals creating entirely new sounds that can easily be mixed in when you want to crank the analog mayhem up into speaker-shredding territory.

UVSR-2
The Princess

Single rack-unit synths weren’t rare in the ’90s but none had teeth like the MSR-2. A legitimate wolf in sheep’s clothing, we took this 16-voice, 16-part multitimbral analog sleeper and created some wildly rich and complex sounds. A little cleaner than UV-1 and UV-XXX, this synth sheds it’s vintage roots for high-resolution analog oscillators with an almost digital-like quality.

Experience the sounds of an American legend and add some of the most innovative and powerful analog synths ever designed to your collection.

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