复古、电子管、模拟怪兽音效 – 重新采样。

这款插件套件是 Acustica 的新产品,因为它与其他 Acqua 套件完全不同。Luca Martegani,又名 Xelius,是手工打造的音频硬件套件的制造商,其产品音质完美、质量上乘、价值不菲。均衡器和压缩器是这套产品中给我们留下最深刻印象的元素,以至于我们决定以它们为基础开发新产品。我们称之为 Cobalt。

LM 9804 压缩器
这个项目最初是为了再现经典的 Altec Lansing 式反馈压缩器。出于实验目的,我们重新设计了整个电路:首先使用 12AT7 电子管作为增益控制元件,然后使用 12AU7 电子管,最后使用经典的 6BZ7 电子管。输出级是围绕两个 6SN7 GT 的并联推挽式设计的,驱动一个定制的输出变压器。

我们最终开发出了一款功能强大的插件,它可以是优雅的,也可以是粗暴的,这取决于你如何使用它。(这部分取决于你)

优雅或粗暴。由你决定。
这款压缩器在录音过程中大放异彩,尤其是在人声、吉他、贝斯、垫子和弦乐等持续音效上。在鼓声和快速电子循环音效中,它能表现出从抽气到极度压扁的可听压缩效果,这在某些音乐风格中非常有用。

LM 9736 均衡器
我们的想法是利用电阻器、电感器和电容器,围绕电阻分压器开发一款老式无源均衡器。

该项目的主要范围是建立一个能够以透明的方式处理声音的均衡器,保留快速瞬态,同时不引入过多的 “采样 “和 “模拟”。

不仅仅是采样 “模拟”。
“色彩”。最初的硬件是完全创新的,从未大规模生产过。

但这款均衡器不仅仅是对一台独特机器的采样模拟。Cobalt 是一款全参数、双通道、5 段电子管均衡器,从输入级到输出级全部使用电子管。它是经典 Pultec 风格设计的进化版,也是多年学习和研究的成果。

LM 9736 采用纯真空管拓扑结构,包括高压电源。所有元件都经过精心挑选,以优化性能: 电路中大量使用了 MKP 电容器和碳电阻器。

Cobalt LXM96 前置放大器
Cobalt 的前置放大器部分模拟了 5 个经典的真空管前置放大器。原始硬件的相位和频率响应以及谐波失真都得到了原汁原味的再现。这些精心挑选的前置放大器为您提供了一系列灵活的选择来构建您的虚拟调音台仿真。

这些音色处理器的最佳使用方法只能由用户根据具体情况、工程师自己的耳朵和想象力来决定。

女巫说、

程序库已完全解密、解压,删除了 DRM 相关的臃肿内容,并构建为干净的程序库。

The vintage, tube, analog monster sound – resampled.

This plugin suite is a novelty for Acustica, as it’s completely different than any other Acqua suite. Luca Martegani, also known as Xelius, is the manufacturer of an incredible suite of hand-built audio hardware characterized by immaculate sound, quality, and value. The equalizer and compressor are the elements of this suite that impressed us most – so much so that we decided to base our new product on them. We call it Cobalt.

LM 9804 Compressor

This project started as an exercise in reproducing a classic Altec Lansing-style feedback compressor. The whole circuit was re-designed for experimental purposes: first around a 12AT7 tube as a gain control element, then around a 12AU7, and finally, around the classic 6BZ7. The output stage was designed around a parallel push-pull of two 6SN7 GTs driving a custom-built output transformer.

We ended up with a powerful plugin that can be elegant or brutal, depending on how you use it. (That part is up to you!)

Elegant or brutal. Up to you.

This compressor shines in tracking sessions, especially on sustained sounds such as vocals, guitars, bass, pads, and strings. And on drums and fast electronic loops, it exhibits an audible compression ranging from pumping to extreme squashing, which can be incredibly useful on certain styles of music.

LM 9736 Equalizer

The idea was to develop an old-school passive EQ around a resistive divider, using resistors, inductors, and capacitors.

The main scope of this project was to build an EQ capable of processing sound in a transparent way, preserving fast transients and without introducing too much

More than a sampled ’emulation’.

“coloration.” The original hardware was completely innovative, and was never mass-produced.

But this EQ is much more than simply a sampled emulation of a unique machine. Cobalt is a fully parametric, dual-channel, 5-band tube equalizer, where tubes are used all the way from the input stage to the output. It was conceived as an evolution of the classic Pultec-style design, and is the result of many years of study and research.

The LM 9736 is built around pure vacuum tube topology, including the high voltage power supply. All the components were carefully selected to optimize performance: MKP capacitors and carbon resistors are liberally employed throughout the circuitry.

Cobalt LXM96 Preamp

The preamp section of Cobalt emulates 5 classic vacuum tube preamps. The phase and frequency response and the harmonic distortion of the original hardware are pristinely reproduced. This careful selection of preamps provides you with an array of flexible options to build your virtual console emulation.

The best use of these sound-coloring processors can only be determined by the individual user on a case-by-case basis, and on the engineer’s own ears and imagination.

A witch says,

Library is completely decrypted, decompressed, DRM related bloat removed, and built to the clean one.

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