Coffee 是一个魔音怪物!该套件由一系列插件组成,其灵感来自复古音效世界,但在重新设计时考虑到了现代录音室的需求,保留了工程师们在现代制作中寻找(但很少能找到)的真实感。
你将品尝到的最好的咖啡
Coffee 包含 6 种不同的硬件单元,合并为 2 个均衡器、1 个高通/低通滤波器部分、5 个动态处理器(包括 1 个限制器)和 31 个前置放大器模拟。它的设计目的是让你在混音中充分发挥锗晶体管的独特音质。得益于其结构特性,它所提供的丰富、温暖的音质可以完美地融入任何类型的音轨中。
咖啡均衡器
A 型是美国传奇混音台均衡器的忠实再现,曾在英国最著名的录音室使用过。
B 型是美国制造的复古模拟装置,结合了一个无源低音均衡器、一个有源临场控制、一个高音部分和一个锗前置放大器。
它的基本功能是一个 3 段均衡器,为了便于使用,重新编排为 4 段模式。
咖啡前置放大器:为训练有素的耳朵提供音色选择
Coffee Pre 包含多个不同的前置放大器型号,为您提供多种音色选择。我们对一系列高端硬件设备进行了采样,为您提供了 31 种前置放大器的频率/相位响应和谐波失真。这些前置放大器分为 3 个可切换的组: 线路、馈电和自定义。如果你想增加一些额外的魔力,馈送库中的前置放大器具有反馈控制功能,可让你决定混音的特性量。
咖啡压缩 压缩效果尽收眼底
Coffee 通道条和压缩器模块配备了 4 个动态处理器,分别来自 2 个不同的单元:一个 Vari-mu 电子管压缩器和一个全分立变压器耦合压缩器/限幅器。
模式 1、2 和 Ultra 是基于 20 世纪 60 年代英国 Vari-Mu 单声道电子管压缩器的现代再版。它的设计非常简单,仅在差分信号路径中使用了 3 个电子管。然而,我们的现代改良版并不是对原版设备的完全复制;相反,它采用了精确的电路再现,并对其进行了改进,使其能根据现代生产要求和设备有效地运行。
原始硬件与插件之间最关键的区别在于增加了攻击控制时间。
模式 1 代表了英国 Vari-Mu 设备的默认操作设置,而模式 2 则引入了原硬件中没有的新功能。它被称为 “熔断”,极大地改变了压缩器的特性。它的释放时间大大缩短,从而产生了超级强劲、松软的信号。
虽然其他两种模式都能带来丰富的音效,但 “超 “模式才是这款压缩器真正的闪光点。(我们可以把这种设置称为 “音轨的隐形强力胶”,这个名字虽然稍显诗意,但也是恰如其分的)。
你会发现,尽管它的反应时间超快,但压缩过程却异常婉转透明。这是高端 Vari-Mu 电子管硬件设备的典型特征,也是它们成为从混音总线到精致立体声母带制作等各种应用的绝佳工具的原因之一。
我们采样的原版机器大多采用 “硬膝关节 “式动态范围控制。我们通过加入 “软膝关节 “设置来增强该设置,以产生更柔和、更圆润的无形干预,从而大大扩展了压缩器的整体多功能性。无论您的目标是 “粘合 “一个简单的鼓套件,还是为 50 轨混音做最后的润色,Ultra 都能胜任。
Mode3 和 Lim 基于美国压缩器/限幅器设计,是对英国最具代表性的老式混音和母带处理控制台动态部分的再创造。在这款功能强大的插件中,你可以获得这些出色的功能,再加上一些新功能–增强的攻击和释放时间,以及额外的胶水失真。
当添加到任何音源中时,它的音质都非常出色,能为混音带来大量的复古特性和存在感。
重新推出的版本在基本保持老版本音效的同时,还增加了新的功能和额外的控制。模式 3 模仿了原版设备更快的响应速度,而 Lim 则模仿了其限制器部分,该部分的设计是为了模仿最经典的设备的响应。
发布说明:
资料库已完全解密、解压,删除了 DRM 相关的臃肿内容,并建立了干净的资料库。
我们看到有人说 “用杀毒软件扫描星云库”,但它无法检测到恶意的星云库。因为杀毒软件不知道如何加载 Nebula2/4 映像、如何解密以及如何加载映像内的代码。
换句话说,Nebula(和 Acqua)可以运行杀毒软件无法扫描的本机代码。
Coffee is a mojo monster! This suite comprises a series of plugins inspired by the world of vintage sound but re-engineered with contemporary studio needs in mind, preserving that feeling of authenticity that engineers look for in modern productions (and rarely find).
The Best Coffee You’ll Ever Try
Coffee embodies 6 different hardware units merged into 2 EQs, a high pass/low pass filter section, 5 dynamics processors including a limiter, and 31 preamp emulations. It is designed to let you squeeze the unique sonic character of germanium transistors into your mixes. Thanks to the nature of its architecture, the rich, warm sound it offers can perfectly blend into any track, no matter the genre.
Coffee EQ
Model A is a faithful recreation of a legendary American mixing desk EQ, which was used in its glory days at one of the most famous recording studios in the UK.
Model B is a revisited vintage analog unit made in the US, combining a passive bass equalizer, an active presence control, a treble section, and a germanium based preamp.
It essentially functions as a 3-band equalizer, re-arranged as a 4-band model for the sake of usability.
Coffee Pre: Tonal Choices for the Highly Trained Ear
Coffee Pre comprises several different preamp models, giving you a wide array of tonal choices. We sampled a range of high-end hardware units in order to provide you with the frequency/phase response and harmonic distortion of an incredible 31 preamps. These are divided into 3 switchable banks: Line, Feed, and Custom. If you want to add some extra mojo, the preamps included in Feed banks have a feedback control that allows you to determine the amount of character to apply to the mix.
Coffee Comp: Compression is the Eye of the Beholder
The Coffee channel strip and compressor modules are equipped with 4 dynamic processors derived from 2 different units: a Vari-mu tube compressor, and an all-discrete, transformer-coupled compressor/limiter.
Modes 1, 2, and Ultra are based on a modern reissue of a British Vari-Mu mono tube compressor from the 1960s. Its remarkably simple design employs just 3 tubes in a differential signal path. However, our modern adaptation is not an exact copy of the original unit; instead, it sports an accurate circuit recreation that has been enhanced to make it function efficiently with modern production requirements and equipment.
The most crucial difference between the original hardware and the plugin is the addition of attack control times.
While Mode 1 represents the default operation settings of the British Vari-Mu unit, Mode 2 introduces a new feature that wasn’t part of the original hardware. It’s called “fuse,” and it changes the character of the compressor dramatically. The release time is significantly shorter, resulting in a super-punchy, squashy signal.
While the two other modes bring a lot of sonic flavor to the table, the Ultra mode is where this compressor really shines. (We could have called this setting “Invisible Superglue for Your Tracks,” and the name would have been spot-on, if slightly less poetic.)
You’ll notice is that, despite its ultra-fast reaction times, the compression occurs in an exceptionally euphonically transparent way. This is typical of high-end Vari-Mu tube hardware machines, which is part of what makes them such a superb tool for applications ranging from the mix bus up to refined stereo mastering.
The original machines that we sampled were mostly characterized by a “hard knee” style dynamic range control. We enhanced the setting by also including a “soft knee” setting to produce a mellower, rounder, invisible intervention, greatly expanding on the compressor’s overall versatility. Whether your aim is to “glue” a simple drum kit together or to put the final touch on a 50-track mix, Ultra is up for the job.
Mode3 and Lim are based on an American compressor/limiter design derived from a recreation of the dynamic section found on one of UK’s most iconic vintage mixing and mastering consoles. You get these stellar features, plus a few new ones – enhanced attack and release times, and extra gluey distortion – in this powerful plugin.
It sounds phenomenal when added to any source, bringing generous amounts of vintage character and presence into the mix.
While mostly remaining true to the sound of the vintage unit, the reissue also adds new features and extra control. Mode 3 emulates the faster response of the original unit, while Lim emulates its limiter section, which was designed to emulate the response of what is arguably the most iconic of all.
A witch says,
Library is completely decrypted, decompressed, DRM related bloat removed, and built to the clean one.
We saw some people saying “scan Nebula Libraries by antivirus” but it cannot detect malicious Nebula Libraries. Because antivirus software doesn’t know how to load Nebula2/4 Image, how to decrypt it, and how to load the code inside the image.
In other words, Nebula (and Acqua) can run the native machine code which antivirus cannot scan.