Berlin Woodwinds Expansion B is the official continuation of the Berlin Woodwinds main library (although you can own the expansion without having the main Berlin Woodwinds library!).
\n\u67cf\u6797\u6728\u98ce\u6269\u5c55B\u662f\u67cf\u6797\u6728\u98ce\u4e3b\u56fe\u4e66\u9986\u7684\u5b98\u65b9\u5ef6\u7eed(\u867d\u7136\u4f60\u53ef\u4ee5\u62e5\u6709\u7684\u6269\u5c55\u6ca1\u6709\u4e3b\u8981\u67cf\u6797\u6728\u98ce\u56fe\u4e66\u9986!)\u3002<\/p>\n
These instruments are specifically designed for expressive solo passages and to bring a single instrument to the front of the orchestra.
\n\u8fd9\u4e9b\u4e50\u5668\u662f\u4e13\u95e8\u4e3a\u5bcc\u6709\u8868\u73b0\u529b\u7684\u72ec\u594f\u6bb5\u843d\u800c\u8bbe\u8ba1\u7684\uff0c\u5e76\u5c06\u5355\u4e00\u4e50\u5668\u5e26\u5230\u7ba1\u5f26\u4e50\u961f\u7684\u524d\u9762\u3002<\/p>\n
Big room vs. small booth?
\n\u5927\u623f\u95f4vs\u5c0f\u644a\u4f4d?<\/p>\n
We are sure that both locations have their benefits.
\n\u6211\u4eec\u786e\u4fe1\u8fd9\u4e24\u4e2a\u5730\u70b9\u90fd\u6709\u5404\u81ea\u7684\u597d\u5904\u3002<\/p>\n
Samples recorded at the big Teldex Stage blend very well with other orchestral instruments.
\n\u5728\u5927Teldex\u821e\u53f0\u4e0a\u5f55\u5236\u7684\u6837\u54c1\u4e0e\u5176\u4ed6\u7ba1\u5f26\u4e50\u4e50\u5668\u6df7\u5408\u5f97\u5f88\u597d\u3002<\/p>\n
The Berlin Woodwinds main library especially has its strengths when it comes to ensemble writing or when a full orchestra plays with the woodwinds.
\n\u67cf\u6797\u6728\u7ba1\u4e3b\u8981\u56fe\u4e66\u9986\u5c24\u5176\u6709\u5b83\u7684\u4f18\u52bf\uff0c\u5f53\u6d89\u53ca\u5408\u594f\u5199\u4f5c\u6216\u5f53\u4e00\u4e2a\u5b8c\u6574\u7684\u7ba1\u5f26\u4e50\u961f\u6f14\u594f\u6728\u7ba1\u3002<\/p>\n
Doubling with other instruments just works amazingly well.
\n\u7528\u5176\u4ed6\u4e50\u5668\u53e0\u52a0\u6548\u679c\u975e\u5e38\u597d\u3002<\/p>\n
Smaller rooms support the details of the sound but they lack when writing for ensembles and in blending ability.
\n\u8f83\u5c0f\u7684\u623f\u95f4\u652f\u6301\u58f0\u97f3\u7684\u7ec6\u8282\uff0c\u4f46\u5728\u4e3a\u5408\u594f\u548c\u6df7\u5408\u80fd\u529b\u5199\u4f5c\u65f6\u7f3a\u4e4f\u3002<\/p>\n
It feels like you are much closer to the instrument.
\n\u611f\u89c9\u4f60\u79bb\u4e50\u5668\u66f4\u8fd1\u4e86\u3002<\/p>\n
This is why legato transitions often appear more expressive and intimate if you play a solo line.
\n\u8fd9\u5c31\u662f\u4e3a\u4ec0\u4e48\u5982\u679c\u4f60\u6f14\u594f\u72ec\u594f\uff0c\u8fde\u97f3\u8fc7\u6e21\u901a\u5e38\u4f1a\u663e\u5f97\u66f4\u6709\u8868\u73b0\u529b\u548c\u4eb2\u8fd1\u611f\u3002<\/p>\n
And that is exactly what we are looking for when writing a solo part.
\n\u800c\u8fd9\u6b63\u662f\u6211\u4eec\u5728\u5199\u72ec\u5531\u90e8\u5206\u65f6\u6240\u8981\u5bfb\u627e\u7684\u3002<\/p>\n
To keep it short: We try to use the best of both worlds.
\n\u7b80\u800c\u8a00\u4e4b:\u6211\u4eec\u8bd5\u56fe\u5229\u7528\u8fd9\u4e24\u4e2a\u4e16\u754c\u7684\u4f18\u70b9\u3002<\/p>\n
For a more solistic writing we developed this Expansion B.
\n\u4e3a\u4e86\u66f4\u72ec\u7acb\u7684\u5199\u4f5c\uff0c\u6211\u4eec\u5f00\u53d1\u4e86\u8fd9\u4e2a\u6269\u5c55B\u3002<\/p>\n
It really breathes life into your solo passages and extends the BWW main library in a wonderful way.
\n\u5b83\u786e\u5b9e\u4e3a\u4f60\u7684\u72ec\u594f\u6bb5\u843d\u6ce8\u5165\u4e86\u6d3b\u529b\uff0c\u5e76\u4ee5\u4e00\u79cd\u5947\u5999\u7684\u65b9\u5f0f\u6269\u5c55\u4e86BWW\u4e3b\u5e93\u3002<\/p>\n
Legato Styles:
\n\u8fde\u594f\u7684\u6837\u5f0f:<\/p>\n
Expressive Legato
\n\u8868\u8fbe\u8fde\u594f\u7684<\/p>\n
Fast, agile Legato
\n\u5feb\u901f\uff0c\u7075\u6d3b\u7684\u8fde\u594f<\/p>\n
Retongued Legato
\nRetongued\u8fde\u594f\u7684<\/p>\n
Our newly developed adaptive legato script chooses the most convincing legato transitions, based on your playing in real time (speed and velocity).
\n\u6211\u4eec\u65b0\u5f00\u53d1\u7684\u81ea\u9002\u5e94\u8fde\u594f\u811a\u672c\u9009\u62e9\u6700\u4ee4\u4eba\u4fe1\u670d\u7684\u8fde\u594f\u8fc7\u6e21\uff0c\u57fa\u4e8e\u60a8\u7684\u5b9e\u65f6\u64ad\u653e(\u901f\u5ea6\u548c\u901f\u5ea6)\u3002<\/p>\n
A single velocity layer for the highest expressiveness
\n\u5355\u4e00\u901f\u5ea6\u5c42\uff0c\u5177\u6709\u6700\u9ad8\u7684\u8868\u73b0\u529b<\/p>\n
Instead of recording fixed p, mf, f layers, we told the musicians to feel free to choose the best dynamic for a solo part.
\n\u800c\u4e0d\u662f\u8bb0\u5f55\u56fa\u5b9a\u7684p, mf, f\u5c42\uff0c\u6211\u4eec\u544a\u8bc9\u97f3\u4e50\u5bb6\u81ea\u7531\u9009\u62e9\u6700\u597d\u7684\u52a8\u6001\u72ec\u594f\u90e8\u5206\u3002<\/p>\n
We took care about lively, dynamic long notes in different styles.
\n\u6211\u4eec\u5173\u6ce8\u4e0d\u540c\u98ce\u683c\u7684\u6d3b\u6cfc\u3001\u6709\u6d3b\u529b\u7684\u957f\u97f3\u7b26\u3002<\/p>\n
If you play with higher velocity, the instrument will play a subtle crescendo, if you play softer the instrument tends more towards a slight decrescendo.
\n\u5982\u679c\u4f60\u7528\u66f4\u9ad8\u7684\u901f\u5ea6\u6f14\u594f\uff0c\u4e50\u5668\u4f1a\u6f14\u594f\u51fa\u5fae\u5999\u7684\u6e10\u5f3a\uff0c\u5982\u679c\u4f60\u6f14\u594f\u5f97\u66f4\u67d4\u548c\uff0c\u4e50\u5668\u4f1a\u503e\u5411\u4e8e\u8f7b\u5fae\u7684\u6e10\u5f31\u3002<\/p>\n
The new adaptive legato script analyzes what is going on dynamically and adjusts the legato transitions to glue them to to the current sustain
\n\u65b0\u7684\u81ea\u9002\u5e94\u8fde\u594f\u811a\u672c\u52a8\u6001\u5206\u6790\u6b63\u5728\u53d1\u751f\u7684\u4e8b\u60c5\uff0c\u5e76\u8c03\u6574\u8fde\u594f\u8fc7\u6e21\u4ee5\u5c06\u5b83\u4eec\u7c98\u5408\u5230\u5f53\u524d\u7684\u7ef4\u6301<\/p>\n
as nicely as possible.
\n\u8d8a\u597d\u8d8a\u597d\u3002<\/p>\n
By using a single velocity layer, we reduced any phasing effect to a minimum.
\n\u901a\u8fc7\u4f7f\u7528\u5355\u4e00\u901f\u5ea6\u5c42\uff0c\u6211\u4eec\u5c06\u4efb\u4f55\u76f8\u4f4d\u6548\u5e94\u51cf\u5c11\u5230\u6700\u5c0f\u3002<\/p>\n
IMPORTANT: You need a full Kontakt 5 license to run this library!
\n\u91cd\u8981:\u4f60\u9700\u8981\u4e00\u4e2a\u5b8c\u6574\u7684Kontakt 5\u8bb8\u53ef\u8bc1\u6765\u8fd0\u884c\u8fd9\u4e2a\u5e93!<\/p>\n
Specification
\n\u89c4\u8303<\/p>\n
Recorded at the dry Teldex Solo Booth
\n\u5728\u6cf0\u5fb7\u65af\u72ec\u594f\u644a\u4f4d\u5f55\u5236\u7684<\/p>\n
Specifically designed for Solo Passages
\n\u4e13\u4e3a\u72ec\u594f\u6bb5\u843d\u8bbe\u8ba1<\/p>\n
New adaptive legato concept analyzes your performance and fits the transitions and legatos perfectly to your line.
\n\u65b0\u7684\u81ea\u9002\u5e94\u8fde\u4f53\u6982\u5ff5\u5206\u6790\u4f60\u7684\u8868\u73b0\u548c\u9002\u5408\u7684\u8fc7\u6e21\u548c\u8fde\u4f53\u5b8c\u7f8e\u5730\u4f60\u7684\u7ebf\u3002<\/p>\n
Built-in Samplicity Teldex IR to fit the dry samples perfectly to the BWW main library
\n\u5185\u7f6eSamplicity Teldex IR\uff0c\u4f7f\u5e72\u71e5\u7684\u6837\u54c1\u5b8c\u5168\u7b26\u5408BWW\u4e3b\u5e93<\/p>\n
Solo Flute
\n\u72ec\u594f\u957f\u7b1b<\/p>\n
Solo Alto Flute
\n\u4e2d\u97f3\u957f\u7b1b\u72ec\u594f<\/p>\n
Solo Oboe
\n\u72ec\u594f\u53cc\u7c27\u7ba1<\/p>\n
Solo English Horn
\n\u82f1\u56fd\u5706\u53f7\u72ec\u594f<\/p>\n
Solo Clarinet
\n\u5355\u7c27\u7ba1\u72ec\u594f<\/p>\n
Specifications
\n\u89c4\u8303<\/p>\n
13,4 GB of samples (7 GB compressed)
\n13.4 GB\u7684\u6837\u672c(\u538b\u7f29\u540e\u76847 GB)<\/p>\n
24Bit \/ 48KHz Patches
\n24Bit \/ 48KHz\u8865\u4e01<\/p>","protected":false},"excerpt":{"rendered":"
Berlin Woodwinds Expansion B is the official continuation of the Berlin Woodwinds main library (although you can own the…<\/p>","protected":false},"author":3,"featured_media":8869,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,62,1],"tags":[80,86,90,12,79,132,131,97],"series":[105,108],"class_list":["post-8868","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kontakt","category-czyy","category-zyzx","tag-berlin-woodwinds","tag-cinematic","tag-kontakt","tag-orchestraltools","tag-woodwinds","tag-132","tag-131","tag-97","series-kontakt","series-orchestral-tools"],"_links":{"self":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts\/8868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/comments?post=8868"}],"version-history":[{"count":0,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts\/8868\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/media\/8869"}],"wp:attachment":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/media?parent=8868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/categories?post=8868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/tags?post=8868"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/series?post=8868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}