A giant has come back to life.
\n\u4e00\u4e2a\u5de8\u4eba\u590d\u6d3b\u4e86\u3002<\/p>\n
Oberheim’s legendary SEM – Synthesizer Expander Module – is back for the first time as a high-end software emulation powered by Arturia’s exclusive TAE\u00ae technology.
\n\u5965\u4f2f\u6d77\u59c6\u7684\u4f20\u5947SEM -\u5408\u6210\u5668\u6269\u5c55\u6a21\u5757-\u7b2c\u4e00\u6b21\u56de\u5f52\u4f5c\u4e3a\u9ad8\u7aef\u8f6f\u4ef6\u4eff\u771f\u7531Arturia\u7684\u72ec\u5bb6TAE\u00ae\u6280\u672f\u63d0\u4f9b\u52a8\u529b\u3002<\/p>\n
The SEM module was originally made to compliment other synthesizers but later came into its own as a great sounding synth.
\nSEM\u6a21\u5757\u6700\u521d\u662f\u4e3a\u4e86\u606d\u7ef4\u5176\u4ed6\u5408\u6210\u5668\uff0c\u4f46\u540e\u6765\u6210\u4e3a\u81ea\u5df1\u7684\u4e00\u4e2a\u4f1f\u5927\u7684\u58f0\u97f3\u5408\u6210\u5668\u3002<\/p>\n
The unique filter that allowed continuously variable operation from low pass to high pass gave it a sound that no other had.
\n\u72ec\u7279\u7684\u6ee4\u6ce2\u5668\uff0c\u5141\u8bb8\u4ece\u4f4e\u901a\u5230\u9ad8\u901a\u7684\u8fde\u7eed\u53ef\u53d8\u64cd\u4f5c\uff0c\u7ed9\u5b83\u4e00\u4e2a\u5176\u4ed6\u6ca1\u6709\u7684\u58f0\u97f3\u3002<\/p>\n
When multiple SEM’s were connected into a 4 or 8 voice polyphonic system, it became a thing of beauty.
\n\u5f53\u591a\u4e2a\u626b\u63cf\u7535\u955c\u8fde\u63a5\u6210\u4e00\u4e2a4\u62168\u4e2a\u58f0\u97f3\u7684\u590d\u8c03\u7cfb\u7edf\u65f6\uff0c\u5b83\u5c31\u53d8\u6210\u4e86\u4e00\u4ef6\u7f8e\u4e3d\u7684\u4e8b\u60c5\u3002<\/p>\n
Analog masterpiece revisited
\n\u6a21\u62df\u518d\u73b0\u6770\u4f5c<\/p>\n
Accurately recreating the tone, waveshapes, multimode 12dB\/octave filter and other detailed characteristics, SEM V delivers all the deep analog sounds that made its grand ancestor so unique and praised.
\n\u51c6\u786e\u5730\u518d\u73b0\u4e86\u97f3\u8c03\uff0c\u6ce2\u5f62\uff0c\u591a\u6a2112dB\/\u516b\u5ea6\u6ee4\u6ce2\u5668\u548c\u5176\u4ed6\u8be6\u7ec6\u7684\u7279\u5f81\uff0cSEM V\u63d0\u4f9b\u4e86\u6240\u6709\u7684\u6df1\u6a21\u62df\u58f0\u97f3\uff0c\u4f7f\u5176\u4f1f\u5927\u7684\u7956\u5148\u5982\u6b64\u72ec\u7279\u548c\u8d5e\u626c\u3002<\/p>\n
Our voice programmer mode allows you to recreate the sound of the huge and rare 8 Voice.
\n\u6211\u4eec\u7684\u8bed\u97f3\u7f16\u7a0b\u6a21\u5f0f\u5141\u8bb8\u60a8\u91cd\u65b0\u521b\u5efa\u5de8\u5927\u548c\u7f55\u89c1\u76848\u8bed\u97f3\u7684\u58f0\u97f3\u3002<\/p>\n
Uber mine of sound
\nUber\u7684\u58f0\u97f3\u77ff<\/p>\n
The SEM is known as a bass and lead machine but our recreation extends it well beyond the original.
\nSEM\u88ab\u79f0\u4e3a\u4f4e\u97f3\u548c\u94c5\u673a\uff0c\u4f46\u6211\u4eec\u7684\u5a31\u4e50\u5ef6\u4f38\u4e86\u5b83\u8fdc\u8fdc\u8d85\u51fa\u539f\u6765\u3002<\/p>\n
it’s sound pallet extends to moving 8 voice pads , acid arpeggios and even electronic percussion.
\n\u5b83\u7684\u58f0\u97f3\u6258\u76d8\u5ef6\u4f38\u5230\u79fb\u52a8\u76848\u4e2a\u97f3\u57ab\uff0c\u9178\u7436\u97f3\u548c\u751a\u81f3\u7535\u5b50\u6253\u51fb\u3002<\/p>\n
Expanded CreativityWhile the SEM was a great synth, we wanted to make it even better.
\n\u867d\u7136SEM\u662f\u4e00\u4e2a\u4f1f\u5927\u7684\u5408\u6210\u4eba\uff0c\u6211\u4eec\u60f3\u8ba9\u5b83\u66f4\u597d\u3002<\/p>\n
We added new innovations like the sub-oscillator for deep basses.
\n\u6211\u4eec\u589e\u52a0\u4e86\u65b0\u7684\u521b\u65b0\uff0c\u6bd4\u5982\u7528\u4e8e\u6df1\u4f4e\u97f3\u7684\u5b50\u632f\u8361\u5668\u3002<\/p>\n
A second LFO with more waveforms, and the modulation matrix greatly expands the sonic capabilities of the SEM.
\n\u7b2c\u4e8c\u4e2aLFO\u5177\u6709\u66f4\u591a\u7684\u6ce2\u5f62\uff0c\u8c03\u5236\u77e9\u9635\u5927\u5927\u6269\u5c55\u4e86SEM\u7684\u58f0\u6ce2\u80fd\u529b\u3002<\/p>\n
Add to this the arpeggiator and Key Follow modulator and you get one super powered synth.
\n\u52a0\u4e0a\u7436\u97f3\u548c\u5173\u952e\u8ddf\u968f\u8c03\u5236\u5668\uff0c\u4f60\u5f97\u5230\u4e00\u4e2a\u8d85\u7ea7\u5f3a\u5927\u7684\u5408\u6210\u5668\u3002<\/p>\n
Main Features
\n\u4e3b\u8981\u7279\u70b9<\/p>\n
All the original parameters of the Oberheim SEM : two oscillators, each offering sawtooth wave and variable-width pulse wave with PWM, sine wave LFO, 12dB\/oct multi-mode Filter with low-pass, high-pass, band-pass and notch, two ADS envelope generators.
\nOberheim SEM\u7684\u6240\u6709\u539f\u59cb\u53c2\u6570:\u4e24\u4e2a\u632f\u8361\u5668\uff0c\u6bcf\u4e2a\u632f\u8361\u5668\u63d0\u4f9b\u952f\u9f7f\u6ce2\u548c\u53d8\u5bbd\u8109\u51b2\u6ce2PWM\uff0c\u6b63\u5f26\u6ce2LFO, 12dB\/oct\u591a\u6a21\u6ee4\u6ce2\u5668\u4f4e\u901a\uff0c\u9ad8\u901a\uff0c\u5e26\u901a\u548c\u9677\u6ce2\uff0c\u4e24\u4e2aADS\u5305\u7edc\u53d1\u751f\u5668\u3002<\/p>\n
Added functionalities : New LFO, Noise, Sub oscillator, on board effects (overdrive, chorus and delay), Arpeggiator, Portamento.
\n\u65b0\u589e\u529f\u80fd:\u65b0\u7684LFO\uff0c\u566a\u58f0\uff0c\u5b50\u632f\u8361\u5668\uff0c\u677f\u4e0a\u6548\u679c(\u8d85\u901f\uff0c\u5408\u5531\u548c\u5ef6\u8fdf)\uff0c\u7436\u97f3\uff0c\u8bed\u97f3\u3002<\/p>\n
Polyphony up to 32 and 8 Voice Multitimbrality
\n\u590d\u8c03\u9ad8\u8fbe32\u548c8\u8bed\u97f3\u591a\u97f3\u8d28<\/p>\n
New 8 Voice Programmer module
\n\u65b08\u8bed\u97f3\u7f16\u7a0b\u6a21\u5757<\/p>\n
Advanced Keyboard Follow module
\n\u9ad8\u7ea7\u952e\u76d8\u8ddf\u968f\u6a21\u5757<\/p>\n
Modulation Matrix module
\n\u8c03\u5236\u77e9\u9635\u6a21\u5757<\/p>\n
Works in Standalone
\n\u5728\u72ec\u7acb\u5de5\u4f5c<\/p>\n
Now compatible with iSEM Preset export\/import
\n\u73b0\u5728\u517c\u5bb9iSEM\u9884\u8bbe\u5bfc\u51fa\/\u5bfc\u5165<\/p>\n
Polyphony parameter to limit the polyphony of the plugin
\nPolyphony\u53c2\u6570\u6765\u9650\u5236\u63d2\u4ef6\u7684\u590d\u8c03<\/p>\n
20 new factory presets from Ian Boddy
\n\u4f0a\u6069\u00b7\u535a\u8fea\u768420\u4e2a\u65b0\u5de5\u5382\u9884\u8bbe<\/p>\n
21 new factory presets from Erik Norlander
\nErik Norlander\u768421\u4e2a\u65b0\u5de5\u5382\u9884\u8bbe<\/p>\n
35 new factory presets from Richard Courtel
\n\u6765\u81eaRichard Courtel\u768435\u4e2a\u65b0\u7684\u5de5\u5382\u9884\u8bbe<\/p>\n
11 new factory presets from Kevin Lamb
\n11\u4e2a\u65b0\u7684\u5de5\u5382\u9884\u8bbe\u4ece\u51ef\u6587\u5170\u59c6<\/p>\n
14 new factory presets from Drew Newmann
\n\u5fb7\u9c81\u00b7\u7ebd\u66fc\u768414\u4e2a\u65b0\u5de5\u5382\u9884\u8bbe<\/p>\n
“Forward Retrigg” mode for the 8-Voice Programmer (for easy use of sequences using the Arpeggiator)
\n8-Voice\u7a0b\u5e8f\u5458\u7684\u201c\u524d\u5411Retrigg\u201d\u6a21\u5f0f(\u4f7f\u7528\u7436\u97f3\u5668\u8f7b\u677e\u4f7f\u7528\u5e8f\u5217)<\/p>\n
“Reassign” mode for the 8-Voice Programmer (like in the original one, the SEM V will first use the boards that are not gated in its voice assignment)
\n8-Voice\u7a0b\u5e8f\u5458\u7684\u201c\u91cd\u65b0\u5206\u914d\u201d\u6a21\u5f0f(\u5c31\u50cf\u5728\u539f\u6765\u7684\u4e00\u4e2a\uff0cSEM V\u5c06\u9996\u5148\u4f7f\u7528\u5728\u5176\u8bed\u97f3\u5206\u914d\u4e2d\u6ca1\u6709\u95e8\u63a7\u7684\u677f)<\/p>\n
Sustain pedal is now active on all systems
\n\u73b0\u5728\u6240\u6709\u7cfb\u7edf\u7684\u7ef4\u6301\u8e0f\u677f\u90fd\u6fc0\u6d3b\u4e86<\/p>\n
V 2.3.1New Features
\nV 2.3.1New\u7279\u6027<\/p>\n
KeyLab MK2 Integration
\nKeyLab MK2\u578b\u96c6\u6210<\/p>\n
Clicking on the preset browser “Clear All” button now scrolls back the result list to its top
\n\u70b9\u51fb\u9884\u8bbe\u7684\u6d4f\u89c8\u5668\u201c\u6e05\u9664\u6240\u6709\u201d\u6309\u94ae\uff0c\u73b0\u5728\u53ef\u4ee5\u5c06\u7ed3\u679c\u5217\u8868\u56de\u6eda\u5230\u9876\u90e8<\/p>\n
Improvements
\n\u6539\u8fdb<\/p>\n
Reworked preset leveling and consistency
\n\u91cd\u505a\u9884\u8bbe\u7684\u6c34\u51c6\u548c\u4e00\u81f4\u6027<\/p>\n
Bugfixes
\n\u4fee\u6b63<\/p>\n
No more crashes in Cubase when using automations
\n\u4f7f\u7528\u81ea\u52a8\u5316\u65f6\uff0cCubase\u4e0d\u518d\u5d29\u6e83<\/p>\n
User MIDI configuration is now properly recalled when loaded from an external file
\n\u5f53\u4ece\u5916\u90e8\u6587\u4ef6\u52a0\u8f7d\u7528\u6237MIDI\u914d\u7f6e\u65f6\uff0c\u73b0\u5728\u53ef\u4ee5\u6b63\u786e\u5730\u6536\u56de\u914d\u7f6e<\/p>\n
Fixed an issue where you had to click twice on the empty MIDI configuration to properly select it
\n\u4fee\u6b63\u4e86\u4f60\u5fc5\u987b\u70b9\u51fb\u4e24\u6b21\u7a7a\u7684MIDI\u914d\u7f6e\u624d\u80fd\u6b63\u786e\u9009\u62e9\u5b83\u7684\u95ee\u9898<\/p>\n
Default MIDI configuration is now properly working
\n\u9ed8\u8ba4MIDI\u914d\u7f6e\u73b0\u5728\u53ef\u4ee5\u6b63\u5e38\u5de5\u4f5c\u4e86<\/p>\n
No more white flash when resizing our instruments inside macOS applications in AU
\n\u5728AU\u4e2d\u8c03\u6574macOS\u5e94\u7528\u7a0b\u5e8f\u5185\u7684\u4eea\u5668\u65f6\uff0c\u4e0d\u518d\u6709\u767d\u8272\u95ea\u5149<\/p>\n
Various Komplete Kontrol \/ Maschine improvement
\n\u5404\u79cd\u5b8c\u6574\u63a7\u5236\/\u673a\u5668\u6539\u8fdb<\/p>\n
No more crash when a “Song Select” message is received
\n\u5f53\u6536\u5230\u201c\u6b4c\u66f2\u9009\u62e9\u201d\u6d88\u606f\u65f6\u4e0d\u518d\u5d29\u6e83<\/p>\n
No more cracks and glitches appearing when modifying effects dry\/wet parameters
\n\u6ca1\u6709\u66f4\u591a\u7684\u88c2\u7f1d\u548c\u6545\u969c\u51fa\u73b0\u65f6\uff0c\u4fee\u6539\u6548\u679c\u5e72\/\u6e7f\u53c2\u6570<\/p>\n
User preset saving feature is now working properly
\n\u7528\u6237\u9884\u8bbe\u7684\u4fdd\u5b58\u529f\u80fd\u73b0\u5728\u6b63\u5e38\u5de5\u4f5c<\/p>\n
No more duplicated presets
\n\u6ca1\u6709\u91cd\u590d\u7684\u9884\u8bbe<\/p>\n
Live 10 doesn’t crash anymore when browsing preset from AU version
\nLive 10\u4e0d\u518d\u5d29\u6e83\u65f6\uff0c\u6d4f\u89c8\u9884\u8bbe\u4eceAU\u7248\u672c<\/p>\n
Resizing the plugin window don’t open the export bank popup for some users anymore
\n\u8c03\u6574\u63d2\u4ef6\u7a97\u53e3\u7684\u5927\u5c0f\u4e0d\u518d\u4e3a\u4e00\u4e9b\u7528\u6237\u6253\u5f00\u5bfc\u51fa\u94f6\u884c\u5f39\u51fa\u7a97\u53e3<\/p>\n
No more crash when switching instruments on a track in FL Studio on macOS
\n\u5728macOS\u4e0a\u7684FL Studio\u5207\u6362\u4e50\u5668\u65f6\u4e0d\u518d\u5d29\u6e83<\/p>","protected":false},"excerpt":{"rendered":"
A giant has come back to life. \u4e00\u4e2a\u5de8\u4eba\u590d\u6d3b\u4e86\u3002 Oberheim’s legendary SEM – Synthesizer Expander Module – is ba…<\/p>","protected":false},"author":3,"featured_media":6320,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28,29,1,6],"tags":[1353,990,989,1074,999],"series":[1352,135],"class_list":["post-6319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mac","category-win","category-zyzx","category-rjcj","tag-arturia","tag-mac","tag-win","tag-1074","tag-999","series-arturia","series-135"],"_links":{"self":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts\/6319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/comments?post=6319"}],"version-history":[{"count":0,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts\/6319\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/media\/6320"}],"wp:attachment":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/media?parent=6319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/categories?post=6319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/tags?post=6319"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/series?post=6319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}