{"id":4572,"date":"2022-05-02T14:32:52","date_gmt":"2022-05-02T06:32:52","guid":{"rendered":"https:\/\/www.linkaudio.cc\/?p=4572"},"modified":"2022-05-02T14:32:52","modified_gmt":"2022-05-02T06:32:52","slug":"sonokinetic-orchestral-strings-kontakt","status":"publish","type":"post","link":"https:\/\/www.linkaudio.cc\/en\/4572.html","title":{"rendered":"Sonokinetic Orchestral Strings [KONTAKT]"},"content":{"rendered":"<div id=\"MinePlayer_74423\" class=\"MinePlayer\"><table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"><tbody><tr style=\"display:none;\"><td height=\"26\"><table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" id=\"playtop_74423\" class=\"playtop\"><tbody><tr><td id=\"topleft\"><a target=\"_self\" href=\"javascript:void(0)\" onclick=\"MP_74423.GoPreUrl();return false;\">\u4e0a\u4e00\u96c6<\/a> <a target=\"_self\" href=\"javascript:void(0)\" onclick=\"MP_74423.GoNextUrl();return false;\">\u4e0b\u4e00\u96c6<\/a><\/td><td id=\"topcc\"><div id=\"topdes_74423\" class=\"topdes\">\u6b63\u5728\u64ad\u653e<\/div><\/td><td id=\"topright_74423\" class=\"topright\"><\/td><\/tr><\/tbody><\/table><\/td><\/tr><tr><td><table border=\"0\" cellpadding=\"0\" cellspacing=\"0\"><tbody><tr><td id=\"playleft_74423\" class=\"playleft\" valign=\"top\" style=\"height:500px;\"><\/td><td id=\"playright_74423\" valign=\"top\"><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table><\/div><input type=\"hidden\" id=\"mine_ifr_self_74423\" value='<iframe border=\"0\" src=\"\" width=\"100%\" height=\"500\" marginwidth=\"0\" framespacing=\"0\" marginheight=\"0\" frameborder=\"0\" scrolling=\"no\" vspale=\"0\" noresize=\"\" allowfullscreen=\"true\" id=\"minewindow_self_74423\"><\/iframe>'\/><div class=\"layui-tab layui-tab-brief\" lay-filter=\"videoGroup\" style=\"margin:10px auto;\"><ul class=\"layui-tab-title\"><li class=\"layui-this\"><\/li><\/ul><div class=\"layui-tab-content\" style=\"height: auto;padding-left:0;\"><div class=\"layui-tab-item layui-show\"><div id=\"MineBottomList_self_74423\" class=\"MineBottomList\"><ul class=\"result_album\" id=\"result_album_self_74423\"><li><a href=\"javascript:void(0)\" onclick=\"MP_74423.Go(0, 'self');return false;\">\u7b2c01\u96c6<\/a><\/li><li><a href=\"javascript:void(0)\" onclick=\"MP_74423.Go(1, 'self');return false;\">\u7b2c02\u96c6<\/a><\/li><li><a href=\"javascript:void(0)\" onclick=\"MP_74423.Go(2, 'self');return false;\">\u7b2c03\u96c6<\/a><\/li><\/ul><\/div><\/div><\/div><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\nThe Strings that work for you<br \/>\n\u4e3a\u4f60\u5de5\u4f5c\u7684\u5f26<\/p>\n<p>We are very proud to present our take on Orchestral Strings to you.<br \/>\n\u6211\u4eec\u975e\u5e38\u81ea\u8c6a\u5730\u5411\u60a8\u5c55\u793a\u6211\u4eec\u5bf9\u7ba1\u5f26\u4e50\u7684\u770b\u6cd5\u3002<\/p>\n<p>This product is the culmination of all of our efforts to this point.<br \/>\n\u8fd9\u6b3e\u4ea7\u54c1\u662f\u6211\u4eec\u6240\u6709\u52aa\u529b\u7684\u7ed3\u6676\u3002<\/p>\n<p>It melds together our experience in orchestral phrases with what we&#8217;ve learned about multisampling over the years, and it furthers our quest for complete phrase flexibility.<br \/>\n\u5b83\u878d\u5408\u4e86\u6211\u4eec\u5728\u7ba1\u5f26\u4e50\u77ed\u8bed\u4e2d\u7684\u7ecf\u9a8c\u548c\u6211\u4eec\u591a\u5e74\u6765\u5bf9\u591a\u91cd\u91c7\u6837\u7684\u4e86\u89e3\uff0c\u5b83\u8fdb\u4e00\u6b65\u63a8\u52a8\u4e86\u6211\u4eec\u5bf9\u5b8c\u6574\u77ed\u8bed\u7075\u6d3b\u6027\u7684\u8ffd\u6c42\u3002<\/p>\n<p>At its core, Orchestral Strings is a hugely capable full-divisi full-size Strings Section, recorded with the fantastic Capellen Orchestra in Zlin, Czech Republic, and edited with the utmost care to preserve all the details of the performances.<br \/>\n\u5728\u5176\u6838\u5fc3\uff0c\u7ba1\u5f26\u4e50\u662f\u4e00\u4e2a\u5de8\u5927\u7684\u80fd\u529b\uff0c\u5168\u5206\u533a\u5168\u5c3a\u5bf8\u7684\u5f26\u4e50\u90e8\u5206\uff0c\u8bb0\u5f55\u4e0e\u5947\u5999\u7684Capellen\u7ba1\u5f26\u4e50\u56e2\u5728\u6377\u514b\u5171\u548c\u56fdZlin\uff0c\u5e76\u7f16\u8f91\u4e0e\u6700\u5c0f\u5fc3\u5730\u4fdd\u5b58\u6240\u6709\u7684\u8868\u6f14\u7ec6\u8282\u3002<\/p>\n<p>We covered all the most-used articulations in up to four velocities, and we devised a &#8216;shared tail&#8217; system for the shorts that provides you with more round robins without increasing the memory load by too much.<br \/>\n\u6211\u4eec\u4ee5\u56db\u79cd\u901f\u5ea6\u8986\u76d6\u4e86\u6240\u6709\u6700\u5e38\u7528\u7684\u5173\u8282\uff0c\u6211\u4eec\u4e3a\u77ed\u88e4\u8bbe\u8ba1\u4e86\u4e00\u4e2a\u201c\u5171\u4eab\u5c3e\u5df4\u201d\u7cfb\u7edf\uff0c\u5728\u4e0d\u589e\u52a0\u592a\u591a\u8bb0\u5fc6\u8d1f\u8377\u7684\u60c5\u51b5\u4e0b\uff0c\u4e3a\u4f60\u63d0\u4f9b\u4e86\u66f4\u5706\u7684\u77e5\u66f4\u9e1f\u3002<\/p>\n<p>There is Poly-Legato and Auto Divisi to ensure the most realistic sound imaginable.<br \/>\n\u6709Poly-Legato\u548cAuto division\uff0c\u4ee5\u786e\u4fdd\u6700\u73b0\u5b9e\u7684\u58f0\u97f3\u53ef\u4ee5\u60f3\u8c61\u3002<\/p>\n<p>No corners were cut in making this product, and it will evolve for many years to come &#8211; we still have some surprises up our sleeves that will enhance your user experience and provide you with tools that are useful and fun in equal measures.<br \/>\n\u5728\u5236\u4f5c\u8fd9\u4e2a\u4ea7\u54c1\u7684\u8fc7\u7a0b\u4e2d\u6ca1\u6709\u5077\u5de5\u51cf\u6599\uff0c\u800c\u4e14\u5b83\u5c06\u5728\u672a\u6765\u7684\u8bb8\u591a\u5e74\u91cc\u4e0d\u65ad\u53d1\u5c55\u2014\u2014\u6211\u4eec\u4ecd\u7136\u6709\u4e00\u4e9b\u610f\u60f3\u4e0d\u5230\u7684\u4e1c\u897f\uff0c\u5b83\u4eec\u5c06\u589e\u5f3a\u60a8\u7684\u7528\u6237\u4f53\u9a8c\uff0c\u5e76\u4e3a\u60a8\u63d0\u4f9b\u65e2\u6709\u7528\u53c8\u6709\u8da3\u7684\u5de5\u5177\u3002<\/p>\n<p>Included in the instrument are some powerful midi engines, with midi import, real-time midi manipulation, a piano roll editor, and midi export.<br \/>\n\u5305\u62ec\u5728\u4eea\u5668\u662f\u4e00\u4e9b\u5f3a\u5927\u7684midi\u5f15\u64ce\uff0c\u4e0emidi\u5bfc\u5165\uff0c\u5b9e\u65f6midi\u64cd\u4f5c\uff0c\u94a2\u7434\u5377\u7f16\u8f91\u5668\uff0c\u548cmidi\u51fa\u53e3\u3002<\/p>\n<p>The possibilities are near endless, yet very easily accessible if you just want to scratch the surface.<br \/>\n\u8fd9\u79cd\u53ef\u80fd\u6027\u51e0\u4e4e\u662f\u65e0\u9650\u7684\uff0c\u4f46\u5982\u679c\u4f60\u53ea\u662f\u60f3\u89e6\u53ca\u8868\u9762\uff0c\u4e5f\u5f88\u5bb9\u6613\u83b7\u5f97\u3002<\/p>\n<p>The Runs engine allows you to play chords and trigger runs that adhere to these chords just by playing a start and an end key.<br \/>\n\u8fd0\u884c\u5f15\u64ce\u5141\u8bb8\u4f60\u64ad\u653e\u548c\u5f26\u548c\u89e6\u53d1\u8fd0\u884c\uff0c\u575a\u6301\u8fd9\u4e9b\u548c\u5f26\uff0c\u53ea\u662f\u901a\u8fc7\u64ad\u653e\u5f00\u59cb\u548c\u7ed3\u675f\u952e\u3002<\/p>\n<p>Sonokinetic\u2019s Orchestral Strings is as playable as it is high quality.<br \/>\nSonokinetic\u7684\u7ba1\u5f26\u4e50\u662f\u53ef\u73a9\u7684\uff0c\u56e0\u4e3a\u5b83\u662f\u9ad8\u8d28\u91cf\u3002<\/p>\n<p>If you know the work of Dutch sample library developers Sonokinetic already it might be through their many phrase\u2011based products.<br \/>\n\u5982\u679c\u4f60\u5df2\u7ecf\u4e86\u89e3\u4e86\u8377\u5170\u6837\u672c\u5e93\u5f00\u53d1\u8005Sonokinetic\u7684\u5de5\u4f5c\uff0c\u90a3\u53ef\u80fd\u662f\u901a\u8fc7\u4ed6\u4eec\u7684\u8bb8\u591a\u57fa\u4e8e\u9636\u6bb5\u7684\u4ea7\u54c1\u3002<\/p>\n<p>They produce conventional multi\u2011sampled libraries too, though, and it\u2019s into this category that Orchestral Strings, their latest release, falls.<br \/>\n\u4e0d\u8fc7\uff0c\u4ed6\u4eec\u4e5f\u751f\u4ea7\u4f20\u7edf\u7684\u591a\u91c7\u6837\u5e93\uff0c\u800c\u4ed6\u4eec\u6700\u65b0\u53d1\u5e03\u7684Orchestral Strings\u5c31\u5c5e\u4e8e\u8fd9\u4e00\u7c7b\u3002<\/p>\n<p>As orchestral libraries go Orchestral Strings is on the serious and sophisticated side, in that there are no patches for an entire string ensemble but only individual instrument sections: literally, separate Kontakt patches for first and second violins, viola, cello and bass.<br \/>\n\u6b63\u5982\u7ba1\u5f26\u4e50\u56fe\u4e66\u9986\u6240\u505a\u7684\u90a3\u6837\uff0c\u7ba1\u5f26\u4e50\u662f\u4e25\u8083\u800c\u590d\u6742\u7684\uff0c\u56e0\u4e3a\u5b83\u6ca1\u6709\u6574\u652f\u5f26\u4e50\u5408\u594f\u7684\u8865\u4e01\uff0c\u53ea\u6709\u4e2a\u522b\u7684\u4e50\u5668\u90e8\u5206:\u5b57\u9762\u4e0a\u8bf4\uff0c\u5206\u5f00\u7684Kontakt\u8865\u4e01\uff0c\u7b2c\u4e00\u548c\u7b2c\u4e8c\u5c0f\u63d0\u7434\uff0c\u4e2d\u63d0\u7434\uff0c\u5927\u63d0\u7434\u548c\u4f4e\u97f3\u3002<\/p>\n<p>To get a whole\u2011section sound you\u2019ll need multiple instances and MIDI tracks, and this is precisely what will appeal to composers and orchestrators looking for the ultimate in expressive potential, allowing for entirely separate articulations and expressive shaping in each line.<br \/>\n\u4e3a\u4e86\u83b7\u5f97\u5b8c\u6574\u7684\u90e8\u5206\u58f0\u97f3\uff0c\u4f60\u9700\u8981\u591a\u4e2a\u5b9e\u4f8b\u548cMIDI\u97f3\u8f68\uff0c\u8fd9\u6b63\u662f\u4f5c\u66f2\u5bb6\u548c\u7ba1\u5f26\u4e50\u5e08\u5bfb\u6c42\u8868\u8fbe\u6f5c\u529b\u7684\u539f\u56e0\uff0c\u5141\u8bb8\u5728\u6bcf\u4e00\u884c\u4e2d\u5b8c\u5168\u72ec\u7acb\u7684\u53d1\u97f3\u548c\u8868\u8fbe\u5f62\u5f0f\u3002<\/p>\n<p>Going hand in hand with this approach are lots of possibilities for legato behaviour and sound, enhanced by the fact that Orchestral Strings is a \u2018divisi\u2019 library: a subtle thing, but subtly powerful in terms of sound and realism.<br \/>\n\u4e0e\u8fd9\u79cd\u65b9\u6cd5\u76f8\u7ed3\u5408\u7684\u662f\u8bb8\u591a\u8fde\u594f\u884c\u4e3a\u548c\u58f0\u97f3\u7684\u53ef\u80fd\u6027\uff0c\u56e0\u4e3aOrchestral Strings\u662f\u4e00\u4e2a\u201c\u5206\u88c2\u201d\u5e93:\u4e00\u4e2a\u5fae\u5999\u7684\u4e1c\u897f\uff0c\u4f46\u5728\u58f0\u97f3\u548c\u73b0\u5b9e\u4e3b\u4e49\u65b9\u9762\u5de7\u5999\u5730\u5f3a\u5927\u3002<\/p>\n<p>Each instrument group was sampled in two parts called A and B. The number of players vary, but for first violins it\u2019s a 9+7 player split of the whole 16\u2011part section, and for violas and cellos 6+4.<br \/>\n\u6bcf\u4e2a\u4e50\u5668\u7ec4\u88ab\u5206\u4e3aA\u548cb\u4e24\u90e8\u5206\u3002\u6f14\u594f\u8005\u7684\u6570\u91cf\u5404\u4e0d\u76f8\u540c\uff0c\u4f46\u7b2c\u4e00\u5c0f\u63d0\u7434\u7ec4\u662f9+7\u4eba\uff0c\u800c\u4e2d\u63d0\u7434\u548c\u5927\u63d0\u7434\u7ec4\u662f6+4\u4eba\u3002<\/p>\n<p>In normal single\u2011line playing you\u2019ll hear both divisi parts together by default.<br \/>\n\u5728\u6b63\u5e38\u7684\u5355\u7ebf\u6bd4\u8d5b\u4e2d\uff0c\u4f60\u4f1a\u5728\u9ed8\u8ba4\u60c5\u51b5\u4e0b\u542c\u5230\u4e24\u4e2a\u5206\u533a\u90fd\u5728\u4e00\u8d77\u3002<\/p>\n<p>Switch to a two\u2011part polyphonic texture though, or two\u2011note chords, and the playback engine will allocate A players to one line and B to the other.<br \/>\n\u5207\u6362\u5230\u4e24\u90e8\u5206\u590d\u97f3\u7ec7\u4f53\uff0c\u6216\u8005\u4e24\u4e2a\u97f3\u7b26\u7684\u548c\u5f26\uff0c\u56de\u653e\u5f15\u64ce\u4f1a\u5c06a\u6f14\u594f\u8005\u5206\u914d\u5230\u4e00\u884c\uff0c\u5c06B\u6f14\u594f\u8005\u5206\u914d\u5230\u53e6\u4e00\u884c\u3002<\/p>\n<p>This avoids the situation where the section seems to keep doubling in size for every additional sounding note.<br \/>\n\u8fd9\u907f\u514d\u4e86\u6bcf\u4e00\u4e2a\u989d\u5916\u7684\u53d1\u58f0\u97f3\u7b26\u7684\u5c0f\u8282\u4f3c\u4e4e\u90fd\u8981\u52a0\u500d\u5927\u5c0f\u7684\u60c5\u51b5\u3002<\/p>\n<p>But there\u2019s another advantage, in that either the A or B players can be used by themselves, giving quick access to three different size string orchestras overall, or a mix and match on a per\u2011instrument basis.<br \/>\n\u4f46\u8fd8\u6709\u53e6\u4e00\u4e2a\u4f18\u52bf\uff0c\u5373A\u6216B\u6f14\u594f\u8005\u90fd\u53ef\u4ee5\u5355\u72ec\u4f7f\u7528\uff0c\u4ece\u800c\u8ba9\u73a9\u5bb6\u80fd\u591f\u5feb\u901f\u63a5\u89e6\u5230\u4e09\u4e2a\u4e0d\u540c\u89c4\u6a21\u7684\u5f26\u4e50\u4e50\u56e2\uff0c\u6216\u8005\u57fa\u4e8e\u6bcf\u79cd\u4e50\u5668\u8fdb\u884c\u6df7\u5408\u548c\u5339\u914d\u3002<\/p>\n<p>It was the Capellen Orchestra in Zlin, Czech Republic, which was sampled, by the way.<br \/>\n\u662f\u6377\u514bZlin\u7684Capellen\u7ba1\u5f26\u4e50\u56e2\uff0c\u987a\u4fbf\u8bf4\u4e00\u4e0b\uff0c\u4ed6\u4eec\u88ab\u53d6\u6837\u4e86\u3002<\/p>\n<p>Extending the feature set is an on\u2011board mixer and macro\u2011driven EQ, for blending four different mic captures;<br \/>\n\u6269\u5c55\u8be5\u529f\u80fd\u96c6\u7684\u662f\u8f66\u8f7d\u6df7\u5408\u5668\u548c\u5b8f\u9a71\u52a8EQ\uff0c\u7528\u4e8e\u6df7\u5408\u56db\u4e2a\u4e0d\u540c\u7684\u9ea6\u514b\u98ce\u6355\u6349;<\/p>\n<p>memory\u2011saving single\u2011mixed patches are also provided.<br \/>\n\u8fd8\u63d0\u4f9b\u4e86\u8282\u7701\u5185\u5b58\u7684\u5355\u4e00\u6df7\u5408\u8865\u4e01\u3002<\/p>\n<p>And as we\u2019ll discover in a minute there are additional dedicated modes for generating runs and even handling pattern\u2011based material.<br \/>\n\u6211\u4eec\u5f88\u5feb\u5c31\u4f1a\u53d1\u73b0\uff0c\u8fd8\u6709\u5176\u4ed6\u4e13\u95e8\u7684\u6a21\u5f0f\u53ef\u4ee5\u751f\u6210\u8fd0\u884c\uff0c\u751a\u81f3\u5904\u7406\u57fa\u4e8e\u6a21\u5f0f\u7684\u6750\u6599\u3002<\/p>\n<p>You need at least 97GB of disk space for Orchestral Strings, and it runs in Native Instruments Kontakt 6.6.1 and upwards: either a full version or the free Kontakt Player.<br \/>\n\u4f60\u81f3\u5c11\u9700\u898197GB\u7684\u78c1\u76d8\u7a7a\u95f4\u6765\u8fd0\u884cOrchestral Strings\uff0c\u5b83\u53ef\u4ee5\u8fd0\u884c\u5728Native Instruments Kontakt 6.6.1\u53ca\u4ee5\u4e0a\u7248\u672c:\u5b8c\u6574\u7248\u672c\u6216\u514d\u8d39\u7684Kontakt\u64ad\u653e\u5668\u3002<\/p>\n<p>With typical deployment of the library requiring multiple instances of Kontakt, and arrangements likely triggering hundreds of voices at a time, you\u2019ll get the smoothest performance using a fast, fairly recent Mac or Windows computer with a solid\u2011state drive.<br \/>\n\u5178\u578b\u7684\u5e93\u90e8\u7f72\u9700\u8981\u591a\u4e2aKontakt\u5b9e\u4f8b\uff0c\u5b89\u6392\u53ef\u80fd\u4e00\u6b21\u89e6\u53d1\u6570\u767e\u4e2a\u58f0\u97f3\uff0c\u4f7f\u7528\u4e00\u53f0\u901f\u5ea6\u5feb\u3001\u4f7f\u7528\u65f6\u95f4\u8f83\u77ed\u3001\u5e26\u6709\u56fa\u6001\u786c\u76d8\u7684Mac\u6216Windows\u7535\u8111\uff0c\u4f60\u5c06\u83b7\u5f97\u6700\u6d41\u7545\u7684\u6027\u80fd\u3002<\/p>\n<p>Having said that, after several weeks of testing I was struck by how efficiently the library runs: almost certainly because it doesn\u2019t utilise lots of embedded effects processing.<br \/>\n\u8bdd\u867d\u5982\u6b64\uff0c\u7ecf\u8fc7\u51e0\u5468\u7684\u6d4b\u8bd5\u540e\uff0c\u6211\u5bf9\u5e93\u7684\u9ad8\u6548\u8fd0\u884c\u611f\u5230\u9707\u60ca:\u51e0\u4e4e\u80af\u5b9a\u662f\u56e0\u4e3a\u5b83\u6ca1\u6709\u4f7f\u7528\u5927\u91cf\u7684\u5d4c\u5165\u5f0f\u6548\u679c\u5904\u7406\u3002<\/p>\n<p>Play Away<br \/>\n\u73a9\u4e86<\/p>\n<p>Compared to the distinctly quirky, almost cryptic graphic interfaces employed in other Sonokinetic products, Orchestral Strings is almost disappointingly easy to use (I jest, of course).<br \/>\n\u4e0e\u5176\u4ed6Sonokinetic\u4ea7\u54c1\u4e2d\u4f7f\u7528\u7684\u72ec\u7279\u7684\u3001\u51e0\u4e4e\u795e\u79d8\u7684\u56fe\u5f62\u754c\u9762\u76f8\u6bd4\uff0cOrchestral Strings\u7684\u6613\u7528\u6027\u51e0\u4e4e\u4ee4\u4eba\u5931\u671b(\u5f53\u7136\uff0c\u8fd9\u662f\u6211\u7684\u73a9\u7b11)\u3002<\/p>\n<p>In fact, the main Play mode is borderline self\u2011explanatory.<br \/>\n\u4e8b\u5b9e\u4e0a\uff0c\u4e3b\u8981\u7684\u6e38\u620f\u6a21\u5f0f\u662f\u4e0d\u8a00\u800c\u55bb\u7684\u3002<\/p>\n<p>All available articulations and dynamic shaping options are shown in six boxes.<br \/>\n\u6240\u6709\u53ef\u7528\u7684\u5173\u8282\u548c\u52a8\u6001\u5851\u9020\u9009\u9879\u663e\u793a\u5728\u516d\u4e2a\u6846\u4e2d\u3002<\/p>\n<p>You can mouse\u2011click to select things within, but MIDI keyswitches are more fluid and work in a two\u2011stage manner: notes C0\u2011A0 to choose the box, and C#0\u2011A#0 black keys to select one of the items within.<br \/>\n\u4f60\u53ef\u4ee5\u7528\u9f20\u6807\u70b9\u51fb\u6765\u9009\u62e9\u76d2\u5b50\u91cc\u7684\u4e1c\u897f\uff0c\u4f46MIDI\u6309\u952e\u66f4\u6d41\u7545\uff0c\u4ee5\u4e24\u79cd\u65b9\u5f0f\u5de5\u4f5c:\u7528C0 &#8211; A0\u952e\u6765\u9009\u62e9\u76d2\u5b50\u91cc\u7684\u4e1c\u897f\uff0c\u7528c# 0 &#8211; a# 0\u9ed1\u952e\u6765\u9009\u62e9\u76d2\u5b50\u91cc\u7684\u4e1c\u897f\u3002<\/p>\n<p>Big, dim note\u2011letter prompts can be spotted in the box backgrounds if you squint a bit.<br \/>\n\u5982\u679c\u4f60\u7a0d\u5fae\u772f\u8d77\u773c\u775b\uff0c\u5c31\u53ef\u4ee5\u5728\u76d2\u5b50\u80cc\u666f\u4e2d\u770b\u5230\u5927\u800c\u6a21\u7cca\u7684\u4fbf\u6761\u5b57\u6bcd\u63d0\u793a\u3002<\/p>\n<p>Then a nice feature is that boxes \u2018remember\u2019 their last selected articulation.<br \/>\n\u7136\u540e\u4e00\u4e2a\u5f88\u597d\u7684\u529f\u80fd\u662f\u76d2\u5b50\u201c\u8bb0\u4f4f\u201d\u4ed6\u4eec\u6700\u540e\u9009\u62e9\u7684\u53d1\u97f3\u3002<\/p>\n<p>So if you want to do a viola line that continually alternates Sustains: sul ponticello and Trem\/Trill: major trill (and who wouldn\u2019t?) you\u2019ll only need to select the specific articulations once, then tap single white\u2011note keyswitches corresponding to the boxes they\u2019re in to jump back and forth.<br \/>\n\u56e0\u6b64\uff0c\u5982\u679c\u4f60\u60f3\u8981\u6f14\u594f\u4e00\u6bb5\u4e2d\u63d0\u7434\uff0c\u5b83\u53ef\u4ee5\u4e0d\u65ad\u5730\u4ea4\u66ffsusains: sul ponticello\u548cTrem\/Trill: major Trill(\u8c01\u4e0d\u60f3\u5462?)\uff0c\u4f60\u53ea\u9700\u8981\u9009\u62e9\u4e00\u6b21\u7279\u5b9a\u7684\u53d1\u97f3\uff0c\u7136\u540e\u70b9\u51fb\u5bf9\u5e94\u4e8e\u5b83\u4eec\u6240\u5728\u76d2\u5b50\u7684\u5355\u4e2a\u767d\u8272\u97f3\u7b26\u952e\u5c31\u53ef\u4ee5\u6765\u56de\u5207\u6362\u4e86\u3002<\/p>\n<p>Also welcome, and musically very potent, is the possibility to choose two articulations at once and crossfade between them: a so\u2011called \u2018morph\u2019.<br \/>\n\u540c\u6837\u53d7\u6b22\u8fce\u7684\uff0c\u5e76\u4e14\u5728\u97f3\u4e50\u4e0a\u975e\u5e38\u6709\u529b\u7684\uff0c\u662f\u4e00\u6b21\u9009\u62e9\u4e24\u79cd\u53d1\u97f3\u5e76\u5728\u5b83\u4eec\u4e4b\u95f4\u4ea4\u53c9\u7684\u53ef\u80fd\u6027:\u6240\u8c13\u7684\u201c\u53d8\u4f53\u201d\u3002<\/p>\n<p>When working like this two selection dots appear in the brown boxes, along with percentage values next to them showing the articulations\u2019 relative mix levels.<br \/>\n\u5f53\u50cf\u8fd9\u6837\u5de5\u4f5c\u65f6\uff0c\u4e24\u4e2a\u9009\u62e9\u70b9\u51fa\u73b0\u5728\u68d5\u8272\u6846\u4e2d\uff0c\u65c1\u8fb9\u7684\u767e\u5206\u6bd4\u503c\u663e\u793a\u5173\u8282\u7684\u76f8\u5bf9\u6df7\u5408\u7ea7\u522b\u3002<\/p>\n<p>You can change those easily with a mouse drag on the values or in real time by sending CC11 (by default, but it can be set to any other MIDI CC).<br \/>\n\u60a8\u53ef\u4ee5\u901a\u8fc7\u5728\u503c\u4e0a\u62d6\u52a8\u9f20\u6807\u8f7b\u677e\u66f4\u6539\u8fd9\u4e9b\u503c\uff0c\u4e5f\u53ef\u4ee5\u901a\u8fc7\u53d1\u9001CC11\u5b9e\u65f6\u66f4\u6539\u8fd9\u4e9b\u503c(\u9ed8\u8ba4\u60c5\u51b5\u4e0b\uff0c\u4f46\u5b83\u53ef\u4ee5\u8bbe\u7f6e\u4e3a\u4efb\u4f55\u5176\u4ed6MIDI CC)\u3002<\/p>\n<p>There are many fruitful pairings up for grabs.<br \/>\n\u6709\u8bb8\u591a\u5bcc\u6709\u6210\u6548\u7684\u914d\u5bf9\u53ef\u4f9b\u4e89\u593a\u3002<\/p>\n<p>Straight and expressive sustains together is a real meat\u2011and\u2011drink expressive combo, allowing for mid\u2011note swells from a cool senza vibrato to something much more fervent.<br \/>\n\u76f4\u53d1\u548c\u8868\u73b0\u529b\u7684\u7ed3\u5408\u662f\u4e00\u4e2a\u771f\u6b63\u7684\u8089\u548c\u996e\u6599\u8868\u73b0\u529b\u7684\u7ec4\u5408\uff0c\u5141\u8bb8\u4ece\u4e00\u4e2a\u51c9\u723d\u7684\u6851\u8428\u98a4\u97f3\u5230\u4e00\u4e9b\u66f4\u70ed\u70c8\u7684\u4e1c\u897f\u7684\u4e2d\u95f4\u97f3\u81a8\u80c0\u3002<\/p>\n<p>Then there are ghostly chimeras like harmonics and tremolo sul ponticello.<br \/>\n\u7136\u540e\u662f\u5e7d\u7075\u822c\u7684\u5d4c\u5408\u4f53\uff0c\u5982\u8c10\u97f3\u548c\u8f6e\u97f3\u3002<\/p>\n<p>Or try Bartok pizz plus col legno for some serious clatter.<br \/>\n\u6216\u8005\u8bd5\u8bd5Bartok pizz\u548ccol legno\uff0c\u6765\u70b9\u4e25\u8083\u7684\u8c08\u8bdd\u3002<\/p>\n<p>As well as a platform for expressive work, morphs can also be regarded as an interesting sound\u2011design tool.<br \/>\n\u4f5c\u4e3a\u4e00\u4e2a\u8868\u8fbe\u6027\u5de5\u4f5c\u7684\u5e73\u53f0\uff0c\u53d8\u4f53\u4e5f\u53ef\u4ee5\u88ab\u89c6\u4e3a\u4e00\u4e2a\u6709\u8da3\u7684\u58f0\u97f3\u8bbe\u8ba1\u5de5\u5177\u3002<\/p>\n<p>Looking at Dynamics head\u2011on now, for sustaining sounds you get to choose either the mod wheel (CC1, but also configurable) for real\u2011time crossfading through the handful of sampled intensities within each articulation, or one of four preset contours that do it for you.<br \/>\n\u73b0\u5728\u770b\u770bDynamics\uff0c\u8981\u60f3\u4fdd\u6301\u58f0\u97f3\uff0c\u4f60\u53ef\u4ee5\u9009\u62e9mod\u8f6c\u8f6e(CC1\uff0c\u4f46\u4e5f\u662f\u53ef\u914d\u7f6e\u7684)\uff0c\u901a\u8fc7\u6bcf\u4e2a\u53d1\u97f3\u4e2d\u7684\u5c11\u91cf\u91c7\u6837\u5f3a\u5ea6\u8fdb\u884c\u5b9e\u65f6\u4ea4\u53c9\u8870\u843d\uff0c\u6216\u8005\u9009\u62e9\u56db\u79cd\u9884\u7f6e\u8f6e\u5ed3\u4e2d\u7684\u4e00\u79cd\u3002<\/p>\n<p>All of those except fortepiano have an option to take place over four or eight beats.<br \/>\n\u9664\u4e86\u94a2\u7434\u4e4b\u5916\uff0c\u6240\u6709\u8fd9\u4e9b\u90fd\u6709\u4e00\u4e2a\u9009\u62e9\uff0c\u5728\u56db\u4e2a\u6216\u516b\u4e2a\u8282\u62cd\u3002<\/p>\n<p>Shorter articulations are velocity driven, albeit with an option for the mod wheel to limit their upper dynamic level.<br \/>\n\u8f83\u77ed\u7684\u5173\u8282\u662f\u901f\u5ea6\u9a71\u52a8\u7684\uff0c\u5c3d\u7ba1\u6709\u4e00\u4e2a\u9009\u9879\u7684mod\u8f6e\uff0c\u4ee5\u9650\u5236\u4ed6\u4eec\u7684\u4e0a\u5c42\u52a8\u6001\u6c34\u5e73\u3002<\/p>\n<p>There is no separate control of intensity as in some other libraries: dynamic shaping and natural \u2018captured\u2019 intensity are rolled into one, as it were.<br \/>\n\u5728\u5176\u4ed6\u4e00\u4e9b\u5e93\u4e2d\u6ca1\u6709\u5355\u72ec\u7684\u5f3a\u5ea6\u63a7\u5236:\u52a8\u6001\u5851\u9020\u548c\u81ea\u7136\u201c\u6355\u83b7\u201d\u7684\u5f3a\u5ea6\u662f\u5377\u6210\u4e00\u4e2a\uff0c\u5c31\u50cf\u5b83\u4e00\u6837\u3002<\/p>\n<p>In practice that works very well, and together with morphing there is certainly no lack of expressive scope.<br \/>\n\u5728\u5b9e\u8df5\u4e2d\uff0c\u8fd9\u662f\u975e\u5e38\u6709\u6548\u7684\uff0c\u5e76\u4e14\u4e0e\u53d8\u5f62\u4e00\u8d77\uff0c\u5f53\u7136\u4e5f\u4e0d\u7f3a\u4e4f\u8868\u8fbe\u8303\u56f4\u3002<\/p>\n<p>Next up: divisi and legato.<br \/>\n\u4e0b\u4e00\u4e2a:\u8fde\u594f\u548cdivision\u3002<\/p>\n<p>Cast your eye on the user interface once more and you might be able to spot the dimly layered \u2018AB\u2019 (in a curvy art deco font) near the top of the window.<br \/>\n\u518d\u6b21\u5c06\u76ee\u5149\u6295\u5411\u7528\u6237\u754c\u9762\uff0c\u4f60\u53ef\u80fd\u4f1a\u53d1\u73b0\u9760\u8fd1\u7a97\u53e3\u9876\u90e8\u7684\u6a21\u7cca\u5206\u5c42\u7684\u201cAB\u201d(\u7528\u4e00\u79cd\u5f2f\u66f2\u7684\u827a\u672f\u88c5\u9970\u5b57\u4f53)\u3002<\/p>\n<p>That\u2019s the manual control over the A and B divisi split: clickable and also keyswitchable.<br \/>\n\u8fd9\u662f\u624b\u52a8\u63a7\u5236A\u548cB\u5206\u5272:\u53ef\u70b9\u51fb\uff0c\u4e5f\u53ef\u5207\u6362\u952e\u3002<\/p>\n<p>But divisi happens automatically, as I mentioned, via the poly legato features, when you play two\u2011part lines or chords, which the playback engine can reliably track.<br \/>\n\u4f46\u6b63\u5982\u6211\u6240\u63d0\u5230\u7684\uff0c\u5f53\u4f60\u6f14\u594f\u4e24\u4e2a\u90e8\u5206\u7684\u7ebf\u6216\u548c\u5f26\u65f6\uff0c\u5206\u88c2\u5c31\u4f1a\u81ea\u52a8\u53d1\u751f\uff0c\u901a\u8fc7poly\u8fde\u594f\u529f\u80fd\uff0c\u56de\u653e\u5f15\u64ce\u53ef\u4ee5\u53ef\u9760\u5730\u8ddf\u8e2a\u3002<\/p>\n<p>Three types of legato transition are on offer: short, slurred and portamento.<br \/>\n\u6709\u4e09\u79cd\u7c7b\u578b\u7684\u8fde\u594f\u8fc7\u6e21:\u77ed\u8fde\u594f\u3001\u542b\u7cca\u8fde\u594f\u548cportamento\u3002<\/p>\n<p>There\u2019s enough sophistication here for the feature to need a panel all its own, accessed via a Setup menu, and suffice to say there\u2019s a lot of control on offer.<br \/>\n\u8fd9\u91cc\u6709\u8db3\u591f\u590d\u6742\u7684\u529f\u80fd\uff0c\u9700\u8981\u4e00\u4e2a\u5355\u72ec\u7684\u9762\u677f\uff0c\u901a\u8fc7\u8bbe\u7f6e\u83dc\u5355\u8bbf\u95ee\uff0c\u8db3\u591f\u8bf4\u6709\u5f88\u591a\u63a7\u5236\u63d0\u4f9b\u3002<\/p>\n<p>There\u2019s a monophonic mode for single lines, or legato can be turned off completely, to allow uncomplicated synth\u2011pad\u2011style chord playing.<br \/>\n\u6709\u5355\u97f3\u6a21\u5f0f\uff0c\u53ef\u4ee5\u5b8c\u5168\u5173\u95ed\u5355\u7ebf\uff0c\u6216\u8fde\u594f\uff0c\u4ee5\u5141\u8bb8\u4e0d\u590d\u6742\u7684\u5408\u6210\u5668\u57ab\u5f0f\u548c\u5f26\u3002<\/p>\n<p>Then lots of options for the velocity threshold that triggers swoopy portamentos, and level and timing controls for the connecting \u2018transition\u2019 samples, which can also be under MIDI CC control.<br \/>\n\u7136\u540e\u4e3a\u89e6\u53d1\u4fef\u51b2portamentos\u7684\u901f\u5ea6\u9608\u503c\u548c\u8fde\u63a5\u201c\u8fc7\u6e21\u201d\u6837\u672c\u7684\u6c34\u5e73\u548c\u5b9a\u65f6\u63a7\u5236\u7684\u8bb8\u591a\u9009\u9879\uff0c\u8fd9\u4e5f\u53ef\u4ee5\u5728MIDI CC\u63a7\u5236\u4e0b\u3002<\/p>\n<p>All things considered, in Play mode, Orchestral Strings gets a lot right.<br \/>\n\u8003\u8651\u5230\u6240\u6709\u7684\u4e8b\u60c5\uff0c\u5728\u6f14\u594f\u6a21\u5f0f\uff0c\u7ba1\u5f26\u4e50\u5f97\u5230\u5f88\u591a\u6b63\u786e\u7684\u3002<\/p>\n<p>The overall sound is hugely attractive, usable, naturalistic, and flexible enough for use in cinematic scoring and pop\/rock backdrops alike.<br \/>\n\u6574\u4f53\u7684\u58f0\u97f3\u662f\u975e\u5e38\u6709\u5438\u5f15\u529b\u7684\uff0c\u53ef\u7528\u7684\uff0c\u81ea\u7136\u7684\uff0c\u7075\u6d3b\u7684\uff0c\u8db3\u4ee5\u7528\u4e8e\u7535\u5f71\u8bc4\u5206\u548c\u6d41\u884c\/\u6447\u6eda\u80cc\u666f\u3002<\/p>\n<p>It proves easy to achieve great results in no time at all, with the articulation chooser and dynamics schemes very simple to master.<br \/>\n\u4e8b\u5b9e\u8bc1\u660e\uff0c\u5b83\u5f88\u5bb9\u6613\u5728\u4efb\u4f55\u65f6\u95f4\u53d6\u5f97\u4f1f\u5927\u7684\u7ed3\u679c\uff0c\u4e0e\u53d1\u97f3\u9009\u62e9\u5668\u548c\u52a8\u529b\u5b66\u65b9\u6848\u975e\u5e38\u5bb9\u6613\u638c\u63e1\u3002<\/p>\n<p>Agile ostinatos and blooming swells are all there for the taking, and the legato scheme makes for nice connected, continuous lines without drawing attention to itself or sounding stuck\u2011on.<br \/>\n\u7075\u6d3b\u7684\u56fa\u5b9a\u97f3\u548c\u84ec\u52c3\u7684\u81a8\u80c0\u97f3\u90fd\u5728\u90a3\u91cc\uff0c\u8fde\u594f\u65b9\u6848\u5f62\u6210\u4e86\u826f\u597d\u7684\u8fde\u63a5\uff0c\u8fde\u7eed\u7684\u7ebf\u6761\uff0c\u800c\u4e0d\u4f1a\u5f15\u8d77\u6ce8\u610f\u6216\u542c\u8d77\u6765\u5361\u4f4f\u3002<\/p>\n<p>I was also pleased to see that the most useful keyswitches remain available on a five\u2011octave controller keyboard;<br \/>\n\u6211\u8fd8\u9ad8\u5174\u5730\u770b\u5230\uff0c\u6700\u6709\u7528\u7684\u6309\u952e\u5f00\u5173\u4ecd\u7136\u53ef\u4ee5\u5728\u4e94\u500d\u9891\u7684\u63a7\u5236\u5668\u952e\u76d8\u4e0a\u4f7f\u7528;<\/p>\n<p>you still get a better experience with 88 notes, though.<br \/>\n\u4e0d\u8fc7\uff0c\u4f7f\u752888\u4e2a\u97f3\u7b26\u4ecd\u7136\u53ef\u4ee5\u83b7\u5f97\u66f4\u597d\u7684\u4f53\u9a8c\u3002<\/p>\n<p>Sustains, incidentally, do sustain indefinitely, with audible bow changes.<br \/>\n\u987a\u4fbf\u8bf4\u4e00\u4e0b\uff0c\u6301\u7eed\u786e\u5b9e\u65e0\u9650\u671f\u5730\u6301\u7eed\uff0c\u4f34\u968f\u53ef\u542c\u5230\u7684\u5f13\u7684\u53d8\u5316\u3002<\/p>\n<p>There\u2019s a little list of things I\u2019m less keen on.<br \/>\n\u6211\u5217\u4e86\u4e2a\u4e0d\u592a\u559c\u6b22\u7684\u5c0f\u5355\u5b50\u3002<\/p>\n<p>Instrumental ranges are not lavish: we would not expect an instrument to go lower than its real\u2011world range, of course, but violins only go up to C6, and cellos to a distinctly safe C4.<br \/>\n\u4e50\u5668\u7684\u97f3\u57df\u5e76\u4e0d\u4e30\u5bcc:\u5f53\u7136\uff0c\u6211\u4eec\u4e0d\u8ba4\u4e3a\u4e00\u79cd\u4e50\u5668\u7684\u97f3\u57df\u4f1a\u6bd4\u73b0\u5b9e\u4e16\u754c\u7684\u97f3\u57df\u66f4\u4f4e\uff0c\u4f46\u5c0f\u63d0\u7434\u7684\u97f3\u57df\u53ea\u6709C6\uff0c\u800c\u5927\u63d0\u7434\u7684\u97f3\u57df\u5219\u662f\u975e\u5e38\u5b89\u5168\u7684C4\u3002<\/p>\n<p>Harmonics do sound an octave higher, but as an articulation in themselves they\u2019re fixed non\u2011vibrato and have a single attack characteristic.<br \/>\n\u548c\u58f0\u542c\u8d77\u6765\u786e\u5b9e\u8981\u9ad8\u4e00\u4e2a\u516b\u5ea6\uff0c\u4f46\u4f5c\u4e3a\u53d1\u97f3\uff0c\u5b83\u4eec\u672c\u8eab\u662f\u56fa\u5b9a\u7684\u65e0\u98a4\u97f3\uff0c\u6709\u5355\u4e00\u7684\u653b\u51fb\u7279\u5f81\u3002<\/p>\n<p>Marcatos take some getting used to too.<br \/>\n\u9a6c\u5361\u6258\u65af\u4e5f\u9700\u8981\u4e00\u6bb5\u65f6\u95f4\u6765\u9002\u5e94\u3002<\/p>\n<p>At first it looked like the straight and expressive articulations were identical to their equivalents in the Sustains group, but it turns out they speak quicker in response to high\u2011velocity playing, despite also being controlled dynamically by the mod wheel.<br \/>\n\u4e00\u5f00\u59cb\uff0c\u5b83\u4eec\u7684\u76f4\u6765\u76f4\u53bb\u548c\u5bcc\u6709\u8868\u73b0\u529b\u7684\u53d1\u97f3\u770b\u8d77\u6765\u4e0eSustains\u7ec4\u4e2d\u7684\u76f8\u540c\uff0c\u4f46\u7ed3\u679c\u662f\uff0c\u5b83\u4eec\u5728\u9ad8\u901f\u6e38\u620f\u65f6\u8bf4\u8bdd\u66f4\u5feb\uff0c\u5c3d\u7ba1\u5b83\u4eec\u4e5f\u53d7\u5230mod\u8f6e\u7684\u52a8\u6001\u63a7\u5236\u3002<\/p>\n<p>This isn\u2019t documented at all, and I felt I wanted more control over the velocity\/wheel interplay.<br \/>\n\u8fd9\u5b8c\u5168\u6ca1\u6709\u6587\u6863\u8bf4\u660e\uff0c\u6211\u60f3\u8981\u66f4\u591a\u5730\u63a7\u5236\u901f\u5ea6\/\u8f6e\u5b50\u7684\u76f8\u4e92\u4f5c\u7528\u3002<\/p>\n<p>Maybe just faster attacks here generally, if I\u2019m honest.<br \/>\n\u8001\u5b9e\u8bb2\uff0c\u4e5f\u8bb8\u8fd9\u91cc\u7684\u653b\u51fb\u901f\u5ea6\u66f4\u5feb\u3002<\/p>\n<p>Also in the Marcato group the short, mid and long variants all sound notably drier and more direct than every other articulation, and even more so (to a bizarre extent) if you play short notes with them.<br \/>\n\u540c\u6837\uff0c\u5728\u9a6c\u5361\u6258\u8bed\u7ec4\u4e2d\uff0c\u77ed\u53d8\u97f3\u3001\u4e2d\u53d8\u97f3\u548c\u957f\u53d8\u97f3\u542c\u8d77\u6765\u90fd\u6bd4\u5176\u4ed6\u4efb\u4f55\u53d1\u97f3\u90fd\u66f4\u5e72\u71e5\u3001\u66f4\u76f4\u63a5\uff0c\u5982\u679c\u4f60\u7528\u5b83\u4eec\u6765\u6f14\u594f\u77ed\u97f3\u7b26\uff0c\u5c31\u4f1a\u66f4\u660e\u663e(\u5230\u4e00\u79cd\u5947\u602a\u7684\u7a0b\u5ea6)\u3002<\/p>\n<p>Again, nothing is documented, though I picked up from a Sonokinetic video that these use the same sample, artificially varied in length.<br \/>\n\u540c\u6837\uff0c\u6ca1\u6709\u4efb\u4f55\u8bb0\u5f55\uff0c\u5c3d\u7ba1\u6211\u4ece\u58f0\u901f\u52a8\u529b\u5b66\u89c6\u9891\u4e2d\u5f97\u5230\u8fd9\u4e9b\u4f7f\u7528\u76f8\u540c\u7684\u6837\u672c\uff0c\u4eba\u4e3a\u5730\u6539\u53d8\u4e86\u957f\u5ea6\u3002<\/p>\n<p>Ultimately these marcatos are musically useful, but you\u2019ll have to play tenuto style or edit your MIDI notes longer for best results.<br \/>\n\u6700\u7ec8\uff0c\u8fd9\u4e9bmarcatos\u5728\u97f3\u4e50\u4e0a\u662f\u6709\u7528\u7684\uff0c\u4f46\u4f60\u5fc5\u987b\u6f14\u594ftenuto\u98ce\u683c\u6216\u7f16\u8f91\u4f60\u7684MIDI\u97f3\u7b26\u66f4\u957f\u7684\u65f6\u95f4\uff0c\u4ee5\u83b7\u5f97\u6700\u4f73\u6548\u679c\u3002<\/p>\n<p>Run Away<br \/>\n\u8dd1\u4e86<\/p>\n<p>Runs mode is a convenience feature, and a very welcome one.<br \/>\n\u8fd0\u884c\u6a21\u5f0f\u662f\u4e00\u4e2a\u65b9\u4fbf\u7684\u7279\u6027\uff0c\u4e5f\u662f\u4e00\u4e2a\u975e\u5e38\u53d7\u6b22\u8fce\u7684\u7279\u6027\u3002<\/p>\n<p>You hold down a MIDI note, play a second one, and you\u2019ll instantly get a nice fast, fluid run between them.<br \/>\n\u4f60\u6309\u4f4f\u4e00\u4e2aMIDI\u97f3\u7b26\uff0c\u64ad\u653e\u7b2c\u4e8c\u4e2a\u97f3\u7b26\uff0c\u4f60\u5c31\u4f1a\u7acb\u523b\u5728\u5b83\u4eec\u4e4b\u95f4\u5f97\u5230\u4e00\u4e2a\u4f18\u7f8e\u3001\u5feb\u901f\u3001\u6d41\u7545\u7684\u8fd0\u884c\u3002<\/p>\n<p>By default the notes in between will all be naturals, but you can modify that by playing in a dedicated chord\u2011recognition key range that replaces Play mode\u2019s articulation chooser.<br \/>\n\u9ed8\u8ba4\u60c5\u51b5\u4e0b\uff0c\u4e2d\u95f4\u7684\u97f3\u7b26\u90fd\u662f\u81ea\u7136\u7684\uff0c\u4f46\u4f60\u53ef\u4ee5\u901a\u8fc7\u4e00\u4e2a\u4e13\u95e8\u7684\u548c\u5f26\u8bc6\u522b\u952e\u8303\u56f4\u6765\u66ff\u4ee3Play\u6a21\u5f0f\u7684\u53d1\u97f3\u9009\u62e9\u5668\u6765\u8fdb\u884c\u4fee\u6539\u3002<\/p>\n<p>Run speed can be set in absolute values from 1\/4 notes to 1\/32nds (with triplet options along the way), or in relative terms, with runs including any number of notes taking between one and eight beats to explode out into the world.<br \/>\n\u8dd1\u6b65\u901f\u5ea6\u53ef\u4ee5\u8bbe\u7f6e\u4e3a\u4ece1\/4\u52301\/32\u7684\u7edd\u5bf9\u503c(\u53ef\u4ee5\u9009\u62e9\u4e09\u8fde\u97f3)\uff0c\u4e5f\u53ef\u4ee5\u8bbe\u7f6e\u4e3a\u76f8\u5bf9\u901f\u5ea6\uff0c\u57281\u52308\u62cd\u4e4b\u95f4\u7684\u8dd1\u6b65\u4e2d\u5305\u542b\u4efb\u4f55\u6570\u91cf\u7684\u97f3\u7b26\u3002<\/p>\n<p>It\u2019s not all about real\u2011time play either: create a run to your spec with your DAW transport stopped and a MIDI symbol appears than can be dragged out of Kontakt and into a DAW MIDI track.<br \/>\n\u8fd9\u4e5f\u4e0d\u5168\u662f\u5173\u4e8e\u5b9e\u65f6\u64ad\u653e:\u521b\u5efa\u4e00\u4e2a\u8fd0\u884c\u5230\u4f60\u7684\u89c4\u683c\uff0c\u4f60\u7684DAW\u4f20\u8f93\u505c\u6b62\uff0c\u4e00\u4e2aMIDI\u7b26\u53f7\u51fa\u73b0\uff0c\u53ef\u4ee5\u62d6\u51faKontakt\uff0c\u8fdb\u5165DAW MIDI\u8ddf\u8e2a\u3002<\/p>\n<p>Whether you use that for careful timing alignment in an existing line or to drive an entirely different instrument is up to you.<br \/>\n\u4f60\u662f\u5426\u4f7f\u7528\u5b83\u5728\u4e00\u4e2a\u73b0\u6709\u7684\u7ebf\u5c0f\u5fc3\u5b9a\u65f6\u6821\u51c6\u6216\u9a71\u52a8\u4e00\u4e2a\u5b8c\u5168\u4e0d\u540c\u7684\u4eea\u5668\u662f\u4f60\u7684\u3002<\/p>\n<p>Any articulation can be used for a run: hence pizz and harmonic runs are an entertaining extension to string playing reality&#8230;<br \/>\n\u4efb\u4f55\u53d1\u97f3\u90fd\u53ef\u4ee5\u7528\u4e8e\u8dd1\u52a8:\u56e0\u6b64pizz\u548c\u548c\u58f0\u8dd1\u52a8\u662f\u5f26\u4e50\u6f14\u594f\u73b0\u5b9e\u7684\u6709\u8da3\u5ef6\u4f38\u2026\u2026<\/p>\n<p>Also the number of recognised chords is impressive: no fewer than 19 types, including some which will produce a chromatic, whole\u2011tone or blues scale, or other exotica.<br \/>\n\u6b64\u5916\uff0c\u8bc6\u522b\u51fa\u7684\u548c\u5f26\u7684\u6570\u91cf\u4e5f\u4ee4\u4eba\u5370\u8c61\u6df1\u523b:\u4e0d\u5c11\u4e8e19\u79cd\u7c7b\u578b\uff0c\u5305\u62ec\u4e00\u4e9b\u4f1a\u4ea7\u751f\u534a\u97f3\u9636\u3001\u5168\u97f3\u9636\u6216\u5e03\u9c81\u65af\u97f3\u9636\uff0c\u6216\u5176\u4ed6\u5f02\u57df\u97f3\u9636\u3002<\/p>\n<p>Phrase Ways<br \/>\n\u77ed\u8bed\u7684\u65b9\u6cd5<\/p>\n<p>If we were ever in any doubt of how programmable Kontakt is, here\u2019s Phrase mode.<br \/>\n\u5982\u679c\u6211\u4eec\u5bf9Kontakt\u7684\u53ef\u7f16\u7a0b\u6027\u6709\u4efb\u4f55\u7591\u95ee\uff0c\u8fd9\u91cc\u662f\u77ed\u8bed\u6a21\u5f0f\u3002<\/p>\n<p>It\u2019s a mini MIDI sequencer, with quantising, a piano\u2011roll editor for notes and dynamics, and a system for both harmonic analysis of incoming notes and redeployment in different harmonies and keys.<br \/>\n\u5b83\u662f\u4e00\u4e2a\u8ff7\u4f60MIDI\u97f3\u5e8f\u5668\uff0c\u5177\u6709\u91cf\u5316\u529f\u80fd\uff0c\u4e00\u4e2a\u7528\u4e8e\u97f3\u7b26\u548c\u52a8\u6001\u7684\u94a2\u7434\u6eda\u52a8\u7f16\u8f91\u5668\uff0c\u4ee5\u53ca\u4e00\u4e2a\u7528\u4e8e\u5bf9\u4f20\u5165\u97f3\u7b26\u8fdb\u884c\u548c\u58f0\u5206\u6790\u548c\u5728\u4e0d\u540c\u548c\u58f0\u548c\u952e\u4e2d\u91cd\u65b0\u90e8\u7f72\u7684\u7cfb\u7edf\u3002<\/p>\n<p>It\u2019s also a feature from which Sonokinetic\u2019s phrase\u2011based experience shines out.<br \/>\n\u8fd9\u4e5f\u662fSonokinetic\u57fa\u4e8e\u77ed\u8bed\u7684\u4f53\u9a8c\u7684\u4e00\u5927\u4eae\u70b9\u3002<\/p>\n<p>In essence, here you record in a melody, ostinato, or other note pattern up to 16 beats long, with Kontakt providing a click.<br \/>\n\u672c\u8d28\u4e0a\uff0c\u5728\u8fd9\u91cc\u4f60\u8bb0\u5f55\u7684\u65cb\u5f8b\uff0c\u56fa\u5b9a\u97f3\u578b\uff0c\u6216\u5176\u4ed6\u97f3\u7b26\u6a21\u5f0f\u9ad8\u8fbe16\u8282\u62cd\u957f\uff0c\u4e0eKontakt\u63d0\u4f9b\u70b9\u51fb\u3002<\/p>\n<p>It\u2019s analysed for harmonic content and \u2018type\u2019 (chord\/scale\/chromatic figure) and then can be immediately played back, triggered by chords you play in another dedicated key range.<br \/>\n\u5b83\u88ab\u5206\u6790\u4e3a\u548c\u58f0\u5185\u5bb9\u548c\u201c\u7c7b\u578b\u201d(\u548c\u5f26\/\u97f3\u9636\/\u534a\u97f3\u56fe)\uff0c\u7136\u540e\u53ef\u4ee5\u7acb\u5373\u88ab\u56de\u653e\uff0c\u7531\u4f60\u5728\u53e6\u4e00\u4e2a\u4e13\u7528\u97f3\u57df\u5f39\u594f\u7684\u548c\u5f26\u89e6\u53d1\u3002<\/p>\n<p>Because of the analysis process and the way Phrase mode always operates in a harmonic context you\u2019re never stuck in a narrow path of absolute intervals, as can happen with some synth step sequencers.<br \/>\n\u56e0\u4e3a\u5206\u6790\u8fc7\u7a0b\u548c\u77ed\u8bed\u6a21\u5f0f\u603b\u662f\u5728\u548c\u58f0\u73af\u5883\u4e2d\u8fd0\u884c\uff0c\u6240\u4ee5\u4f60\u6c38\u8fdc\u4e0d\u4f1a\u9677\u5165\u7edd\u5bf9\u95f4\u9694\u7684\u72ed\u7a84\u8def\u5f84\u4e2d\uff0c\u5c31\u50cf\u4e00\u4e9b\u5408\u6210\u5668\u6b65\u8fdb\u5b9a\u5e8f\u5668\u90a3\u6837\u3002<\/p>\n<p>Indeed, you can easily record in minor\u2011key broken chords, say, and then spend the rest of the session playing only major versions of them.<br \/>\n\u4e8b\u5b9e\u4e0a\uff0c\u4f60\u53ef\u4ee5\u5f88\u5bb9\u6613\u5730\u5f55\u5236\u5c0f\u8c03\u548c\u5f26\uff0c\u7136\u540e\u5728\u5269\u4e0b\u7684\u65f6\u95f4\u91cc\u53ea\u64ad\u653e\u5b83\u4eec\u7684\u5927\u8c03\u7248\u672c\u3002<\/p>\n<p>Phrase mode\u2019s analysis is only really interested in the relative up\/down movement of note patterns, and not specific pitches or intervals.<br \/>\n\u4e50\u53e5\u6a21\u5f0f\u7684\u5206\u6790\u53ea\u5bf9\u97f3\u7b26\u6a21\u5f0f\u7684\u76f8\u5bf9\u5347\u964d\u8fd0\u52a8\u611f\u5174\u8da3\uff0c\u800c\u4e0d\u662f\u7279\u5b9a\u7684\u97f3\u9ad8\u6216\u97f3\u7a0b\u3002<\/p>\n<p>At any one time 12 different phrases are available for recording or playback, and like Sonokinetic\u2019s phrase libraries they\u2019re meant to be switched on the fly, and are available in several octave offsets.<br \/>\n\u5728\u4efb\u4f55\u65f6\u5019\uff0c12\u4e2a\u4e0d\u540c\u7684\u77ed\u8bed\u53ef\u7528\u4e8e\u5f55\u97f3\u6216\u56de\u653e\uff0c\u548cSonokinetic\u7684\u77ed\u8bed\u5e93\u4e00\u6837\uff0c\u5b83\u4eec\u610f\u5473\u7740\u8981\u5728\u98de\u884c\u4e2d\u5207\u6362\uff0c\u5e76\u5728\u51e0\u4e2a\u516b\u5ea6\u504f\u79fb\u53ef\u7528\u3002<\/p>\n<p>Phrases can be named and also stored, which causes them to appear in any other instance of Orchestral Strings you load up.<br \/>\n\u77ed\u8bed\u53ef\u4ee5\u88ab\u547d\u540d\uff0c\u4e5f\u53ef\u4ee5\u88ab\u5b58\u50a8\uff0c\u8fd9\u4f7f\u5f97\u5b83\u4eec\u51fa\u73b0\u5728\u4f60\u52a0\u8f7d\u7684\u4efb\u4f55\u5176\u4ed6Orchestral Strings\u5b9e\u4f8b\u4e2d\u3002<\/p>\n<p>You can also edit note pitch and length, and overlay a mod\u2011wheel dynamics curve.<br \/>\n\u60a8\u8fd8\u53ef\u4ee5\u7f16\u8f91\u97f3\u7b26\u7684\u97f3\u9ad8\u548c\u957f\u5ea6\uff0c\u5e76\u8986\u76d6\u4e00\u4e2amod &#8211; wheel\u52a8\u6001\u66f2\u7ebf\u3002<\/p>\n<p>Then there\u2019s a lovely option to add two, three or four harmonising notes to every note trigger on playback: instant counter\u2011melodies, or fleshed out chord voicings.<br \/>\n\u7136\u540e\u8fd8\u6709\u4e00\u4e2a\u53ef\u7231\u7684\u9009\u62e9\uff0c\u53ef\u4ee5\u5728\u64ad\u653e\u65f6\u4e3a\u6bcf\u4e2a\u97f3\u7b26\u6dfb\u52a0\u4e24\u4e2a\u3001\u4e09\u4e2a\u6216\u56db\u4e2a\u548c\u8c10\u97f3\u7b26:\u5373\u65f6\u7684\u53cd\u65cb\u5f8b\uff0c\u6216\u5145\u5b9e\u7684\u548c\u5f26\u58f0\u97f3\u3002<\/p>\n<p>A further fascinating option is to drag and drop a MIDI phrase from your DAW, or a Sonokinetic phrase library, rather than recording it.<br \/>\n\u53e6\u4e00\u4e2a\u6709\u8da3\u7684\u9009\u9879\u662f\u4eceDAW\u6216Sonokinetic\u77ed\u8bed\u5e93\u4e2d\u62d6\u653eMIDI\u77ed\u8bed\uff0c\u800c\u4e0d\u662f\u8bb0\u5f55\u5b83\u3002<\/p>\n<p>The clear, concise Orchestral Strings PDF manual urges us to not \u2018go mad\u2019 with this, and suggests a maximum length of 16 bars, but even so it gives a wonderfully quick way to build up a bank of patterns that could form the backdrop of an orchestration in no time at all.<br \/>\n\u6e05\u6670\u3001\u7b80\u6d01\u7684\u5f26\u4e50PDF\u624b\u518c\u6566\u4fc3\u7f8e\u56fd\u4e0d\u8981\u201c\u53d1\u75af\u201d,\u5e76\u5efa\u8bae\u6700\u5927\u957f\u5ea6\u4e3a16\u6761,\u4f46\u5373\u4fbf\u5982\u6b64,\u5b83\u7ed9\u4e86\u4e00\u4e2a\u975e\u5e38\u5feb\u901f\u7684\u65b9\u6cd5\u6765\u5efa\u7acb\u4e00\u4e2a\u94f6\u884c\u7684\u6a21\u5f0f\u5f62\u6210\u7684\u80cc\u666f\u4e0b\u7f16\u5236\u7684\u3002<\/p>\n<p>Alongside a good level of robustness I experienced in many areas of Phrase mode there is also sporadic weirdness.<br \/>\n\u9664\u4e86\u6211\u5728\u77ed\u8bed\u6a21\u5f0f\u7684\u8bb8\u591a\u9886\u57df\u4f53\u9a8c\u5230\u7684\u826f\u597d\u7684\u7a33\u5065\u6027\u4e4b\u5916\uff0c\u8fd8\u6709\u4e00\u4e9b\u96f6\u661f\u7684\u5947\u602a\u4e4b\u5904\u3002<\/p>\n<p>I could not identify a way to edit recorded note velocities directly in the Kontakt interface.<br \/>\n\u6211\u4e0d\u80fd\u786e\u5b9a\u4e00\u79cd\u65b9\u6cd5\u6765\u7f16\u8f91\u8bb0\u5f55\u7684\u7b14\u8bb0\u901f\u5ea6\u76f4\u63a5\u5728Kontakt\u754c\u9762\u3002<\/p>\n<p>Then there is the way that some lines recorded in one key may not be transposed at all on playback even when you ask for a different key, if they\u2019re deemed to be harmonically compatible still.<br \/>\n\u8fd8\u6709\u4e00\u79cd\u65b9\u5f0f\u662f\uff0c\u5728\u4e00\u4e2a\u952e\u4e2d\u5f55\u5236\u7684\u4e00\u4e9b\u884c\u53ef\u80fd\u5728\u64ad\u653e\u65f6\u6839\u672c\u4e0d\u4f1a\u88ab\u8c03\u6362\uff0c\u5373\u4f7f\u4f60\u8981\u6c42\u6362\u4e00\u4e2a\u952e\uff0c\u5982\u679c\u5b83\u4eec\u4ecd\u7136\u88ab\u8ba4\u4e3a\u662f\u548c\u8c10\u7684\u3002<\/p>\n<p>By the same token, expect some recorded melodies to radically change their contour, or chord figures to be produced in different (and uncontrollable) inversions, if that\u2019s what necessary to maintain compatibility.<br \/>\n\u51fa\u4e8e\u540c\u6837\u7684\u539f\u56e0\uff0c\u5982\u679c\u6709\u5fc5\u8981\u7684\u8bdd\uff0c\u53ef\u4ee5\u671f\u5f85\u4e00\u4e9b\u5f55\u5236\u7684\u65cb\u5f8b\u5f7b\u5e95\u6539\u53d8\u5b83\u4eec\u7684\u8f6e\u5ed3\uff0c\u6216\u8005\u4ee5\u4e0d\u540c\u7684(\u4e0d\u53ef\u63a7\u7684)\u5012\u7f6e\u4ea7\u751f\u548c\u5f26\uff0c\u4ee5\u4fdd\u6301\u517c\u5bb9\u6027\u3002<\/p>\n<p>All of these are features or characteristics rather than bugs, it\u2019s fair to say, and nothing is a deal\u2011breaker.<br \/>\n\u6240\u6709\u8fd9\u4e9b\u90fd\u662f\u529f\u80fd\u6216\u7279\u5f81\uff0c\u800c\u4e0d\u662fbug\uff0c\u516c\u5e73\u5730\u8bf4\uff0c\u6ca1\u6709\u4ec0\u4e48\u662f\u4ea4\u6613\u7684\u7834\u574f\u8005\u3002<\/p>\n<p>In any case I was forewarned: Sonokinetic told me that while they\u2019re proud of and excited by the possibilities of Phrase mode it\u2019s a work in progress, likely to gain further sophistication and polish as time goes on.<br \/>\n\u65e0\u8bba\u5982\u4f55\uff0cSonokinetic\u4e8b\u5148\u8b66\u544a\u8fc7\u6211:\u867d\u7136\u4ed6\u4eec\u5bf9\u77ed\u8bed\u6a21\u5f0f\u7684\u53ef\u80fd\u6027\u611f\u5230\u81ea\u8c6a\u548c\u5174\u594b\uff0c\u4f46\u8fd9\u662f\u4e00\u9879\u8fdb\u5c55\u4e2d\u7684\u5de5\u4f5c\uff0c\u53ef\u80fd\u4f1a\u968f\u7740\u65f6\u95f4\u7684\u63a8\u79fb\u800c\u8fdb\u4e00\u6b65\u5b8c\u5584\u548c\u5b8c\u5584\u3002<\/p>\n<p>String Of Pearls<br \/>\n\u4e32\u73cd\u73e0<\/p>\n<p>It\u2019s harder than ever these days for sample library developers to make instruments that really stand out, such is the saturation and competition in this market.<br \/>\n\u7531\u4e8e\u5e02\u573a\u7684\u9971\u548c\u548c\u7ade\u4e89\uff0c\u6837\u672c\u5e93\u5f00\u53d1\u4eba\u5458\u73b0\u5728\u6bd4\u4ee5\u5f80\u4efb\u4f55\u65f6\u5019\u90fd\u66f4\u96be\u5236\u4f5c\u51fa\u771f\u6b63\u5f15\u4eba\u6ce8\u76ee\u7684\u5de5\u5177\u3002<\/p>\n<p>But Orchestral Strings does, thanks to a well\u2011judged balance of classy sound quality and unfussy, instant playability.<br \/>\n\u4f46\u7ba1\u5f26\u4e50\u4e50\u961f\u5374\u80fd\u505a\u5230\u8fd9\u4e00\u70b9\uff0c\u8fd9\u8981\u5f52\u529f\u4e8e\u5b83\u5728\u7ecf\u5178\u97f3\u8d28\u548c\u7b80\u5355\u3001\u5373\u65f6\u7684\u53ef\u5f39\u594f\u6027\u4e4b\u95f4\u7684\u826f\u597d\u5e73\u8861\u3002<\/p>\n<p>Add in the broad range of articulations and potential for dynamic control, some top\u2011class legato\/divisi behaviour, plus those useful additional runs and phrases, and there\u2019s an awful lot to enjoy.<br \/>\n\u518d\u52a0\u4e0a\u5e7f\u6cdb\u7684\u53d1\u97f3\u8303\u56f4\u548c\u52a8\u6001\u63a7\u5236\u7684\u6f5c\u529b\uff0c\u4e00\u4e9b\u9876\u7ea7\u7684\u8fde\u594f\/\u5206\u594f\u884c\u4e3a\uff0c\u518d\u52a0\u4e0a\u90a3\u4e9b\u6709\u7528\u7684\u989d\u5916\u8dd1\u6cd5\u548c\u77ed\u8bed\uff0c\u6709\u5f88\u591a\u4e1c\u897f\u503c\u5f97\u4eab\u53d7\u3002<\/p>\n<p>Like many good tools Orchestral Strings is actually not over\u2011complicated, but is capable of getting great\u2011sounding jobs done with minimal fuss.<br \/>\n\u50cf\u8bb8\u591a\u597d\u7684\u5de5\u5177\u4e00\u6837\uff0c\u7ba1\u5f26\u4e50\u5b9e\u9645\u4e0a\u5e76\u4e0d\u8fc7\u5206\u590d\u6742\uff0c\u4f46\u5b83\u80fd\u591f\u4ee5\u6700\u5c0f\u7684\u9ebb\u70e6\u5b8c\u6210\u542c\u8d77\u6765\u5f88\u68d2\u7684\u5de5\u4f5c\u3002<\/p>\n<p>It\u2019s a really valuable new option in the orchestral strings world.<br \/>\n\u8fd9\u5728\u7ba1\u5f26\u4e50\u754c\u662f\u4e00\u4e2a\u975e\u5e38\u6709\u4ef7\u503c\u7684\u65b0\u9009\u62e9\u3002<\/p>\n<p>Sordino Strings<br \/>\n\u5f31\u97f3\u5668\u7684\u5b57\u7b26\u4e32<\/p>\n<p>Amongst Orchestral Strings\u2019 many articulations and playing techniques, con sordino muted options are notable by their absence.<br \/>\n\u5728\u7ba1\u5f26\u5f26\u4e50\u7684\u8bb8\u591a\u6e05\u6670\u5ea6\u548c\u6f14\u594f\u6280\u672f\u4e2d\uff0ccon sordino\u9759\u97f3\u9009\u9879\u662f\u503c\u5f97\u6ce8\u610f\u7684\uff0c\u4ed6\u4eec\u7684\u7f3a\u5e2d\u3002<\/p>\n<p>That\u2019s because they\u2019re all in a completely separate library of their own, Sordino Strings.<br \/>\n\u8fd9\u662f\u56e0\u4e3a\u5b83\u4eec\u90fd\u5728\u4e00\u4e2a\u5b8c\u5168\u72ec\u7acb\u7684\u5e93\u4e2d\uff0cSordino Strings\u3002<\/p>\n<p>This is clearly meant from the off as a companion product;<br \/>\n\u8fd9\u663e\u7136\u662f\u6307\u4eceoff\u4f5c\u4e3a\u914d\u5957\u4ea7\u54c1;<\/p>\n<p>it\u2019s visually and operationally almost identical, and has the same three playback modes and divisi structure, and mic mixing.<br \/>\n\u5b83\u7684\u89c6\u89c9\u548c\u64cd\u4f5c\u51e0\u4e4e\u76f8\u540c\uff0c\u6709\u76f8\u540c\u7684\u4e09\u79cd\u64ad\u653e\u6a21\u5f0f\u548c\u5206\u533a\u7ed3\u6784\uff0c\u548c\u9ea6\u514b\u98ce\u6df7\u97f3\u3002<\/p>\n<p>It has far fewer articulations though: just straight and expressive sustains, and a single staccato short stroke.<br \/>\n\u7136\u800c\uff0c\u5b83\u7684\u53d1\u97f3\u5374\u5c11\u5f97\u591a:\u53ea\u6709\u76f4\u7684\u548c\u5bcc\u6709\u8868\u73b0\u529b\u7684\u652f\u6491\u70b9\uff0c\u4ee5\u53ca\u4e00\u4e2a\u65ad\u594f\u7684\u77ed\u7b14\u753b\u3002<\/p>\n<p>Consequently it\u2019s both smaller in installation size (24GB) and a lot cheaper, at \u20ac74.90.<br \/>\n\u56e0\u6b64\uff0c\u5b83\u7684\u5b89\u88c5\u5c3a\u5bf8\u66f4\u5c0f(24GB)\uff0c\u800c\u4e14\u4fbf\u5b9c\u5f97\u591a\uff0c74.90\u6b27\u5143\u3002<\/p>\n<p>Broad Brushes<br \/>\n\u5e7f\u6cdb\u7684\u5237\u5b50<\/p>\n<p>With no whole\u2011ensemble patches, Orchestral Strings can\u2019t be used straight off the bat as an all\u2011encompassing \u2018string pad\u2019 sound source.<br \/>\n\u7531\u4e8e\u6ca1\u6709\u5b8c\u6574\u7684\u5408\u594f\u8865\u4e01\uff0c\u7ba1\u5f26\u4e50\u4e0d\u80fd\u76f4\u63a5\u4f5c\u4e3a\u4e00\u4e2a\u5168\u65b9\u4f4d\u7684\u201c\u5f26\u57ab\u201d\u58f0\u6e90\u4f7f\u7528\u3002<\/p>\n<p>Patches can play polyphonically, beyond the two\u2011part limit of the poly legato system, but only in playable ranges that don\u2019t extend far (if at all) beyond three octaves for most instruments.<br \/>\nPatches\u53ef\u4ee5\u6f14\u594f\u590d\u97f3\uff0c\u8d85\u8fc7\u4e86\u591a\u8fde\u594f\u7cfb\u7edf\u7684\u4e24\u4e2a\u90e8\u5206\u7684\u9650\u5236\uff0c\u4f46\u53ea\u80fd\u5728\u53ef\u6f14\u594f\u7684\u8303\u56f4\u5185\uff0c\u5bf9\u5927\u591a\u6570\u4e50\u5668\u6765\u8bf4\uff0c\u4e0d\u8d85\u8fc7\u4e09\u4e2a\u516b\u5ea6(\u5982\u679c\u6709\u7684\u8bdd)\u3002<\/p>\n<p>It\u2019s entirely feasible to build your own ensemble though by running separate basses, cellos, violas and violins patches inside a single instance of Kontakt, with all responding to a single MIDI channel.<br \/>\n\u8fd9\u662f\u5b8c\u5168\u53ef\u884c\u7684\uff0c\u4f46\u5efa\u7acb\u81ea\u5df1\u7684\u5408\u594f\u8fd0\u884c\u5355\u72ec\u7684\u4f4e\u97f3\uff0c\u5927\u63d0\u7434\uff0c\u4e2d\u63d0\u7434\u548c\u5c0f\u63d0\u7434\u8865\u4e01\u5185\u7684\u5355\u4e00\u5b9e\u4f8bKontakt\uff0c\u4e0e\u6240\u6709\u54cd\u5e94\u4e00\u4e2a\u5355\u4e00\u7684MIDI\u9891\u9053\u3002<\/p>\n<p>They all put their keyswitches in the same place, so they\u2019ll respond to them en masse.<br \/>\n\u4ed6\u4eec\u90fd\u628a\u94a5\u5319\u5f00\u5173\u653e\u5728\u540c\u4e00\u4e2a\u5730\u65b9\uff0c\u8fd9\u6837\u4ed6\u4eec\u5c31\u4f1a\u4e00\u8d77\u56de\u5e94\u3002<\/p>\n<p>It\u2019s the same for incoming expression messages too.<br \/>\n\u4f20\u5165\u7684\u8868\u8fbe\u5f0f\u6d88\u606f\u4e5f\u662f\u5982\u6b64\u3002<\/p>\n<p>Legato playback has to be switched off if you want to play chords, and there can be the odd abrupt lurch in timbre across the pitch range, but it\u2019s a heck of a sound.<br \/>\n\u5982\u679c\u4f60\u60f3\u6f14\u594f\u548c\u5f26\uff0c\u8fde\u594f\u56de\u653e\u5fc5\u987b\u5173\u95ed\uff0c\u97f3\u8272\u5728\u97f3\u9ad8\u8303\u56f4\u5185\u53ef\u80fd\u4f1a\u6709\u5947\u602a\u7684\u7a81\u7136\u503e\u659c\uff0c\u4f46\u8fd9\u662f\u4e00\u4e2a\u975e\u5e38\u68d2\u7684\u58f0\u97f3\u3002<\/p>\n<p>Array Of Hope<br \/>\n\u6570\u7ec4\u7684\u5e0c\u671b<\/p>\n<p>Like many competitors, Orchestral Strings has an internal mixer that controls four different mic captures: close spots, decca tree, stage wide and balcony.<br \/>\n\u50cf\u8bb8\u591a\u7ade\u4e89\u5bf9\u624b\u4e00\u6837\uff0c\u7ba1\u5f26\u4e50\u6709\u4e00\u4e2a\u5185\u90e8\u6df7\u97f3\u5668\uff0c\u53ef\u4ee5\u63a7\u5236\u56db\u79cd\u4e0d\u540c\u7684\u9ea6\u514b\u98ce\u6355\u6349:\u8fd1\u8ddd\u79bb\u3001\u53f0\u5e03\u6811\u3001\u821e\u53f0\u5bbd\u5ea6\u548c\u9633\u53f0\u3002<\/p>\n<p>Volume, pan and width can be controlled for each, and there\u2019s a mix\u2011level EQ macro marked \u2018mellow\u2019 at one end and \u2018punchy\u2019 at the other.<br \/>\n\u97f3\u91cf\u3001\u8de8\u5ea6\u548c\u5bbd\u5ea6\u90fd\u53ef\u4ee5\u63a7\u5236\uff0c\u5e76\u4e14\u6709\u4e00\u4e2a\u6df7\u5408\u7ea7\u522b\u7684EQ\u5b8f\uff0c\u4e00\u7aef\u6807\u8bb0\u4e3a\u201c\u67d4\u548c\u201d\uff0c\u53e6\u4e00\u7aef\u6807\u8bb0\u4e3a\u201c\u6709\u529b\u201d\u3002<\/p>\n<p>Unusually, five separate mic mixes can be saved, and even stored so that other instances can share them.<br \/>\n\u4e0d\u540c\u5bfb\u5e38\u7684\u662f\uff0c\u4e94\u4e2a\u72ec\u7acb\u7684\u9ea6\u514b\u98ce\u6df7\u97f3\u53ef\u4ee5\u88ab\u4fdd\u5b58\uff0c\u751a\u81f3\u5b58\u50a8\uff0c\u4ee5\u4fbf\u5176\u4ed6\u5b9e\u4f8b\u53ef\u4ee5\u5171\u4eab\u5b83\u4eec\u3002<\/p>\n<p>It\u2019s great to see, by the way, that the single\u2011mix instrument patches still include the mic mixer.<br \/>\n\u987a\u4fbf\u8bf4\u4e00\u4e0b\uff0c\u5f88\u9ad8\u5174\u770b\u5230\u5355\u6df7\u97f3\u4e50\u5668\u8865\u4e01\u4ecd\u7136\u5305\u62ec\u9ea6\u514b\u98ce\u6df7\u97f3\u5668\u3002<\/p>\n<p>There might only be one array shown in it, but you retain useful control over pan, width and EQ.<br \/>\n\u53ef\u80fd\u53ea\u6709\u4e00\u4e2a\u6570\u7ec4\u663e\u793a\u5728\u5b83\uff0c\u4f46\u4f60\u4fdd\u7559\u6709\u7528\u7684\u63a7\u5236\u8303\u56f4\uff0c\u5bbd\u5ea6\u548cEQ\u3002<\/p>\n<p>Pros<br \/>\n\u4f18\u70b9<\/p>\n<p>A fundamentally versatile, fine\u2011sounding string section.<br \/>\n\u4e00\u4e2a\u57fa\u672c\u901a\u7528\u7684\uff0c\u58f0\u97f3\u4f18\u7f8e\u7684\u5f26\u4e50\u90e8\u5206\u3002<\/p>\n<p>Divisi foundation underpins good legato behaviour and character options.<br \/>\ndivision\u57fa\u91d1\u4f1a\u652f\u6301\u826f\u597d\u7684\u8fde\u594f\u884c\u4e3a\u548c\u89d2\u8272\u9009\u62e9\u3002<\/p>\n<p>A good range of articulations, and the possibility to mix them.<br \/>\n\u826f\u597d\u7684\u5173\u8282\u8303\u56f4\uff0c\u4ee5\u53ca\u6df7\u5408\u5b83\u4eec\u7684\u53ef\u80fd\u6027\u3002<\/p>\n<p>Runs and Phrases modes add considerable value.<br \/>\n\u8fd0\u884c\u548c\u77ed\u8bed\u6a21\u5f0f\u589e\u52a0\u4e86\u53ef\u89c2\u7684\u4ef7\u503c\u3002<\/p>\n<p>CPU efficient.<br \/>\nCPU\u7684\u6548\u7387\u3002<\/p>\n<p>Cons<br \/>\n\u7f3a\u70b9<\/p>\n<p>Narrower pitch ranges than some competitors, for some instruments.<br \/>\n\u5bf9\u67d0\u4e9b\u4e50\u5668\u6765\u8bf4\uff0c\u97f3\u57df\u6bd4\u5176\u4ed6\u4e50\u5668\u7a84\u3002<\/p>\n<p>Marcato behaviour takes some getting used to.<br \/>\n\u9a6c\u5361\u6258\u7684\u884c\u4e3a\u9700\u8981\u4e00\u6bb5\u65f6\u95f4\u6765\u9002\u5e94\u3002<\/p>\n<p>Additional Sordino Strings library required for with\u2011mute timbres.<br \/>\n\u7528\u4e8e\u54d1\u97f3\u8272\u6240\u9700\u7684\u989d\u5916Sordino\u5b57\u7b26\u4e32\u5e93\u3002<\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; The Strings that work for you \u4e3a\u4f60\u5de5\u4f5c\u7684\u5f26 We are very proud to present our take on Orchestral Strings to you. \u6211&#8230;<\/p>","protected":false},"author":3,"featured_media":4573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,61,1],"tags":[86,90,85,1022,70,74,75,97,81],"series":[105,1021],"class_list":["post-4572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kontakt","category-lxyy","category-zyzx","tag-cinematic","tag-kontakt","tag-orchestral","tag-sonokinetic","tag-strings","tag-74","tag-75","tag-97","tag-81","series-kontakt","series-sonokinetic"],"_links":{"self":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts\/4572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/comments?post=4572"}],"version-history":[{"count":0,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts\/4572\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/media\/4573"}],"wp:attachment":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/media?parent=4572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/categories?post=4572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/tags?post=4572"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/series?post=4572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}