Con Moto \u2013 Cellos is a string library recorded with motion in the sustains, legato, and attacks\/releases.
\nCon Moto – Cellos\u662f\u4e00\u4e2a\u5f26\u5e93\u8bb0\u5f55\u4e0e\u8fd0\u52a8\u5728\u6301\u7eed\uff0c\u8fde\u594f\uff0c\u548c\u653b\u51fb\/\u91ca\u653e\u3002<\/p>\n
\u201cActive-bow\u201d sustains offer continuously re-expressed vibrato & emotion, via performance & editing approaches.
\n\u201c\u4e3b\u52a8\u5f13\u201d\u652f\u6491\u63d0\u4f9b\u6301\u7eed\u7684\u91cd\u65b0\u8868\u8fbe\u7684\u98a4\u97f3\u548c\u60c5\u611f\uff0c\u901a\u8fc7\u8868\u6f14\u548c\u7f16\u8f91\u7684\u65b9\u6cd5\u3002<\/p>\n
Responsive note attacks and meticulously-timed release samples \u2013 derived from units of musical performance \u2013 morph with your playing to allow fluent note-length variation, similar to previous Performance Samples libraries.
\n\u54cd\u5e94\u6027\u7684\u97f3\u7b26\u653b\u51fb\u548c\u7cbe\u5fc3\u5b89\u6392\u7684\u91ca\u653e\u6837\u672c-\u4ece\u97f3\u4e50\u8868\u6f14\u7684\u5355\u4f4d-\u53d8\u5f62\u4e0e\u60a8\u7684\u6f14\u594f\uff0c\u4ee5\u5141\u8bb8\u6d41\u7545\u7684\u97f3\u7b26\u957f\u5ea6\u53d8\u5316\uff0c\u7c7b\u4f3c\u4e8e\u4ee5\u524d\u7684\u8868\u73b0\u6837\u672c\u5e93\u3002<\/p>\n
Much in the same vein as Oceania, Con Moto \u2013 Cellos continues along the path of \u201cenergetic release samples\u201d and appreciation of performance-sourced phrase endings as a critical element of the toolkit in release-sample functionality.
\n\u540cOceania\u4e00\u6837\uff0cCon Moto – Cellos\u7ee7\u7eed\u6cbf\u7740\u201c\u79ef\u6781\u7684\u53d1\u884c\u6837\u672c\u201d\u7684\u9053\u8def\uff0c\u5e76\u6b23\u8d4f\u6027\u80fd\u6765\u6e90\u7684\u77ed\u8bed\u7ed3\u5c3e\u4f5c\u4e3a\u53d1\u884c\u6837\u672c\u529f\u80fd\u7684\u4e00\u4e2a\u5173\u952e\u5143\u7d20\u7684\u5de5\u5177\u5305\u3002<\/p>\n
Bow-change legato transitions wrap it all together, and with the entire library recorded con moto and musically-restless, the result is a breathing ensemble with coherence in phrasing, vibrato, and expression.
\nbowo -change\u8fde\u594f\u8fc7\u6e21\u5305\u88f9\u5728\u4e00\u8d77\uff0c\u4e0e\u6574\u4e2a\u56fe\u4e66\u9986\u8bb0\u5f55con moto\u548c\u97f3\u4e50\u4e0d\u5b89\uff0c\u7ed3\u679c\u662f\u4e00\u4e2a\u547c\u5438\u5408\u594f\u4e0e\u8fde\u8d2f\u7684\u77ed\u8bed\uff0c\u98a4\u97f3\uff0c\u548c\u8868\u8fbe\u3002<\/p>\n
Six cellos (primarily soloist and 1st-chair musicians) from the Capellen Orchestra
\n\u5361\u4f69\u4f26\u7ba1\u5f26\u4e50\u56e2\u7684\u516d\u540d\u5927\u63d0\u7434(\u4e3b\u8981\u662f\u72ec\u594f\u548c\u9996\u5e2d\u4e50\u624b)<\/p>\n
Three dynamic layers, from moderately soft to FFF
\n\u4e09\u4e2a\u52a8\u6001\u5c42\uff0c\u4ece\u4e2d\u5ea6\u8f6f\u5230FFF<\/p>\n
Bow-change legato con moto (legato with movement in the bowing and vibrato)
\n\u5f13\u53d8\u8fde\u594f(\u5f13\u548c\u98a4\u97f3\u4e2d\u5e26\u52a8\u4f5c\u7684\u8fde\u594f)<\/p>\n
\u201cActive-bow\u201d sustains (non-static longs that move and evolve while simultaneously maintaining the dynamic\/timbre)
\n\u201c\u4e3b\u52a8\u5f13\u201d\u6301\u7eed(\u975e\u9759\u6001\u7684\u957f\u97f3\u7b26\uff0c\u79fb\u52a8\u548c\u6f14\u53d8\uff0c\u540c\u65f6\u4fdd\u6301\u52a8\u6001\/\u97f3\u8272)<\/p>\n
Multiple attack types (hard and soft) triggered via velocity
\n\u901a\u8fc7\u901f\u5ea6\u89e6\u53d1\u591a\u79cd\u653b\u51fb\u7c7b\u578b(\u786c\u548c\u8f6f)<\/p>\n
Release samples that respond fluently to note-length variation*
\n\u91ca\u653e\u80fd\u6d41\u5229\u54cd\u5e94\u97f3\u7b26\u957f\u5ea6\u53d8\u5316\u7684\u6837\u672c*<\/p>\n
Recorded in an ambient hall** with multiple mic positions:
\n\u5f55\u5236\u5728\u73af\u5883\u5927\u5385**\u591a\u4e2a\u9ea6\u514b\u98ce\u4f4d\u7f6e:<\/p>\n
+ Close 1st-Chair
\n+\u8fd11 st-chair<\/p>\n
+ Close Section
\n+\u8fd1\u8282<\/p>\n
+ Decca
\n+\u53f0\u5361<\/p>\n
+ Wide
\n+\u5bbd<\/p>","protected":false},"excerpt":{"rendered":"
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