{"id":2946,"date":"2022-01-09T19:55:08","date_gmt":"2022-01-09T11:55:08","guid":{"rendered":"https:\/\/www.linkaudio.cc\/?p=2946"},"modified":"2022-01-09T19:55:08","modified_gmt":"2022-01-09T11:55:08","slug":"ilya-efimov-accordion-kontakt","status":"publish","type":"post","link":"https:\/\/www.linkaudio.cc\/en\/2946.html","title":{"rendered":"Ilya Efimov Accordion [KONTAKT]"},"content":{"rendered":"<audio class=\"wp-audio-shortcode\" id=\"audio-2946-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.ilyaefimov.com\/file\/music\/paris-waltz.mp3?_=1\" \/><a href=\"https:\/\/www.ilyaefimov.com\/file\/music\/paris-waltz.mp3\">https:\/\/www.ilyaefimov.com\/file\/music\/paris-waltz.mp3<\/a><\/audio>\n<audio class=\"wp-audio-shortcode\" id=\"audio-2946-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.ilyaefimov.com\/file\/music\/tango.mp3?_=2\" \/><a href=\"https:\/\/www.ilyaefimov.com\/file\/music\/tango.mp3\">https:\/\/www.ilyaefimov.com\/file\/music\/tango.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\nThe Accordion is capable of producing four timbres for the right keyboard (namely piccolo, concertina, clarinet, and bassoon), as well as two bass registers for the left.<br \/>\n\u624b\u98ce\u7434\u80fd\u591f\u4ea7\u751f\u56db\u4e2a\u97f3\u8272\u4e3a\u53f3\u952e\u76d8(\u5373\u77ed\u7b1b\uff0c\u624b\u98ce\u7434\uff0c\u5355\u7c27\u7ba1\uff0c\u5df4\u677e\u7ba1)\uff0c\u4ee5\u53ca\u4e24\u4e2a\u4f4e\u97f3\u97f3\u57df\u4e3a\u5de6\u3002<\/p>\n<p>The library lets the player select a single timbre or to combine multiple timbres using any of the available 15 registers, just like a real accordion does.<br \/>\n\u8be5\u5e93\u5141\u8bb8\u73a9\u5bb6\u9009\u62e9\u4e00\u4e2a\u97f3\u8272\u6216\u4f7f\u7528\u4efb\u4f55\u53ef\u7528\u768415\u4e2a\u97f3\u8272\u5bc4\u5b58\u5668\u7ec4\u5408\u591a\u4e2a\u97f3\u8272\uff0c\u5c31\u50cf\u771f\u6b63\u7684\u624b\u98ce\u7434\u4e00\u6837\u3002<\/p>\n<p>The dynamics of the instrument changes in accordance to the timbre selection which allows for a very natural-sounding performance.<br \/>\n\u4e50\u5668\u7684\u52a8\u6001\u53d8\u5316\uff0c\u6839\u636e\u97f3\u8272\u7684\u9009\u62e9\uff0c\u8fd9\u5141\u8bb8\u4e00\u4e2a\u975e\u5e38\u81ea\u7136\u7684\u6f14\u594f\u3002<\/p>\n<p>It&#8217;s of course possible to control the attack envelope of the sound as well as the mechanical noise levels coming from keys and a bellow.<br \/>\n\u5f53\u7136\uff0c\u6211\u4eec\u53ef\u4ee5\u63a7\u5236\u58f0\u97f3\u7684\u653b\u51fb\u8303\u56f4\uff0c\u4ee5\u53ca\u6765\u81ea\u6309\u952e\u548c\u5486\u54ee\u58f0\u7684\u673a\u68b0\u566a\u97f3\u6c34\u5e73\u3002<\/p>\n<p>NEW!<br \/>\n\u65b0!<\/p>\n<p>Combined left &#038; right keyboard patch, chord recognition, accompaniment keys, various play modes and more.<br \/>\n\u7ed3\u5408\u5de6\u3001\u53f3\u952e\u76d8\u8865\u4e01\uff0c\u548c\u5f26\u8bc6\u522b\uff0c\u4f34\u594f\u952e\uff0c\u5404\u79cd\u64ad\u653e\u6a21\u5f0f\u548c\u66f4\u591a\u3002<\/p>\n<p>You can play with both hands, simulating a real accordion quickly and easily.<br \/>\n\u4f60\u53ef\u4ee5\u7528\u4e24\u53ea\u624b\u73a9\uff0c\u6a21\u62df\u4e00\u4e2a\u771f\u6b63\u7684\u624b\u98ce\u7434\u5feb\u901f\u548c\u5bb9\u6613\u3002<\/p>\n<p>FEATURES<br \/>\n\u7279\u6027<\/p>\n<p>2 288 samples \\ 1,7 Gb (compressed NCW)<br \/>\n2 288\u4e2a\u6837\u672c\\ 1,7gb(\u538b\u7f29NCW)<\/p>\n<p>44.1 kHz \\ 24 bit \\ Stereo<br \/>\n44.1 kHz \\ 24\u4f4d\\\u7acb\u4f53\u58f0<\/p>\n<p>Natural dynamic changes<br \/>\n\u81ea\u7136\u7684\u52a8\u6001\u53d8\u5316<\/p>\n<p>15 registers &#8211; right keyboard<br \/>\n15\u4e2a\u5bc4\u5b58\u5668-\u53f3\u952e\u76d8<\/p>\n<p>2 registers &#8211; left keyboard<br \/>\n2\u5bc4\u5b58\u5668-\u5de6\u952e\u76d8<\/p>\n<p>3 patches: combined, right keyb, left keyb.<br \/>\n3\u4e2a\u8865\u4e01:\u7ec4\u5408\uff0c\u53f3\u952eb\uff0c\u5de6\u952eb\u3002<\/p>\n<p>NEW.<br \/>\n\u65b0\u7684\u3002<\/p>\n<p>Single combined patch for both left &#038; right keyboards<br \/>\n\u5de6\u952e\u76d8\u548c\u53f3\u952e\u76d8\u7684\u5355\u4e00\u7ec4\u5408\u8865\u4e01<\/p>\n<p>NEW.<br \/>\n\u65b0\u7684\u3002<\/p>\n<p>\u0421hord recognition &#038; Accompaniment Keys<br \/>\n\u0421hord\u8bc6\u522b\u4e0e\u4f34\u594f\u952e<\/p>\n<p>NEW.<br \/>\n\u65b0\u7684\u3002<\/p>\n<p>Chord\/Bass &#038; Picking Mode options<br \/>\n\u548c\u5f26\/\u4f4e\u97f3\u548c\u6311\u9009\u6a21\u5f0f\u9009\u9879<\/p>\n<p>Round-Robin X 3<br \/>\n\u5faa\u73afX 3<\/p>\n<p>Prepared articulations: Sustain, Staccato, Crescendo<br \/>\n\u51c6\u5907\u597d\u7684\u53d1\u97f3:\u7ef4\u6301\uff0c\u65ad\u594f\uff0c\u6e10\u5f3a<\/p>\n<p>Flexible attack control<br \/>\n\u7075\u6d3b\u7684\u653b\u51fb\u63a7\u5236<\/p>\n<p>Multiple attack modes<br \/>\n\u591a\u4e2a\u653b\u51fb\u6a21\u5f0f<\/p>\n<p>Detune, Key Noise, Bellow, Release<br \/>\n\u5931\u8c03\uff0c\u6309\u952e\u566a\u97f3\uff0c\u6ce2\u7eb9\uff0c\u91ca\u653e<\/p>\n<p>Automatic noise control<br \/>\n\u566a\u58f0\u81ea\u52a8\u63a7\u5236<\/p>\n<p>Repetition key<br \/>\n\u91cd\u590d\u952e<\/p>\n<p>Vibrato key<br \/>\n\u98a4\u97f3\u952e<\/p>\n<p>Left &#038; Right keyboard separate and conbined patches<br \/>\n\u5de6\u3001\u53f3\u952e\u76d8\u5206\u79bb\u548c\u7ec4\u5408\u8865\u4e01<\/p>\n<p>Chord recognition system for the left keyboard<br \/>\n\u5de6\u952e\u76d8\u548c\u5f26\u8bc6\u522b\u7cfb\u7edf<\/p>\n<p>Accompaniment keys<br \/>\n\u4f34\u594f\u7684\u94a5\u5319<\/p>\n<p>Chord\/Bass and Picking mode<br \/>\n\u548c\u5f26\/\u4f4e\u97f3\u548c\u6311\u9009\u6a21\u5f0f<\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; The Accordion is capable of producing four timbres for the right keyboard (namely piccolo, concertina, cla&#8230;<\/p>","protected":false},"author":3,"featured_media":2947,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,1,59],"tags":[453,145,448,90,144,222,327,223],"series":[447,105],"class_list":["post-2946","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kontakt","category-zyzx","category-jpyy","tag-accordion","tag-ethnic","tag-ilya-efimov","tag-kontakt","tag-world","tag-222","tag-327","tag-223","series-ilya-efimov","series-kontakt"],"_links":{"self":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts\/2946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/comments?post=2946"}],"version-history":[{"count":0,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts\/2946\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/media\/2947"}],"wp:attachment":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/media?parent=2946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/categories?post=2946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/tags?post=2946"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/series?post=2946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}