{"id":1971,"date":"2021-11-27T09:11:12","date_gmt":"2021-11-27T01:11:12","guid":{"rendered":"https:\/\/www.linkaudio.cc\/?p=1971"},"modified":"2021-11-27T09:11:12","modified_gmt":"2021-11-27T01:11:12","slug":"cinesamples-cineharpsichord-kontakt","status":"publish","type":"post","link":"https:\/\/www.linkaudio.cc\/en\/1971.html","title":{"rendered":"Cinesamples CineHarpsichord [KONTAKT]"},"content":{"rendered":"<div id=\"MinePlayer_25502\" class=\"MinePlayer\"><table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"><tbody><tr style=\"display:none;\"><td height=\"26\"><table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" id=\"playtop_25502\" class=\"playtop\"><tbody><tr><td id=\"topleft\"><a target=\"_self\" href=\"javascript:void(0)\" onclick=\"MP_25502.GoPreUrl();return false;\">\u4e0a\u4e00\u96c6<\/a> <a target=\"_self\" href=\"javascript:void(0)\" onclick=\"MP_25502.GoNextUrl();return false;\">\u4e0b\u4e00\u96c6<\/a><\/td><td id=\"topcc\"><div id=\"topdes_25502\" class=\"topdes\">\u6b63\u5728\u64ad\u653e<\/div><\/td><td id=\"topright_25502\" class=\"topright\"><\/td><\/tr><\/tbody><\/table><\/td><\/tr><tr><td><table border=\"0\" cellpadding=\"0\" cellspacing=\"0\"><tbody><tr><td id=\"playleft_25502\" class=\"playleft\" valign=\"top\" style=\"height:500px;\"><\/td><td id=\"playright_25502\" valign=\"top\"><\/td><\/tr><\/tbody><\/table><\/td><\/tr><\/tbody><\/table><\/div><input type=\"hidden\" id=\"mine_ifr_self_25502\" value='<iframe border=\"0\" src=\"\" width=\"100%\" height=\"500\" marginwidth=\"0\" framespacing=\"0\" marginheight=\"0\" frameborder=\"0\" scrolling=\"no\" vspale=\"0\" noresize=\"\" allowfullscreen=\"true\" id=\"minewindow_self_25502\"><\/iframe>'\/><div class=\"layui-tab layui-tab-brief\" lay-filter=\"videoGroup\" style=\"margin:10px auto;display:none;\"><ul class=\"layui-tab-title\"><li class=\"layui-this\"><\/li><\/ul><div class=\"layui-tab-content\" style=\"height: auto;padding-left:0;\"><div class=\"layui-tab-item layui-show\"><div id=\"MineBottomList_self_25502\" class=\"MineBottomList\"><ul class=\"result_album\" id=\"result_album_self_25502\"><li><a href=\"javascript:void(0)\" onclick=\"MP_25502.Go(0, 'self');return false;\">\u7b2c01\u96c6<\/a><\/li><\/ul><\/div><\/div><\/div><\/div>\n<p>&nbsp;<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1971-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cinesamples.com\/file\/productAudio\/file\/i7jodnbpjqo8xhdtnrbg8wwl3an.mp3?_=1\" \/><a href=\"https:\/\/cinesamples.com\/file\/productAudio\/file\/i7jodnbpjqo8xhdtnrbg8wwl3an.mp3\">https:\/\/cinesamples.com\/file\/productAudio\/file\/i7jodnbpjqo8xhdtnrbg8wwl3an.mp3<\/a><\/audio>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1971-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cinesamples.com\/file\/productAudio\/file\/hexl6p0yg3f7gnr3pupogocp86g.mp3?_=2\" \/><a href=\"https:\/\/cinesamples.com\/file\/productAudio\/file\/hexl6p0yg3f7gnr3pupogocp86g.mp3\">https:\/\/cinesamples.com\/file\/productAudio\/file\/hexl6p0yg3f7gnr3pupogocp86g.mp3<\/a><\/audio>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1971-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cinesamples.com\/file\/productAudio\/file\/ploxv81cpp0gpx7pkiq42yz8uet.mp3?_=3\" \/><a href=\"https:\/\/cinesamples.com\/file\/productAudio\/file\/ploxv81cpp0gpx7pkiq42yz8uet.mp3\">https:\/\/cinesamples.com\/file\/productAudio\/file\/ploxv81cpp0gpx7pkiq42yz8uet.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>CineHarpsichord is a modern adaptation of a Franco-Flemish 1624 Iohannes R\u00fcckers Colmar harpsichord sampled by hand at the MGM Scoring Stage at Sony Pictures Studios in Los Angeles, California.<br \/>\ncineharpsicord\u662f\u4e00\u6b3e\u73b0\u4ee3\u6539\u7f16\u81ea1624\u5e74\u7684\u6cd5\u56fd-\u4f5b\u5170\u5fb7\u65afjohn hannes R\u00fcckers Colmar\u5927\u952e\u7434\uff0c\u5728\u52a0\u5dde\u6d1b\u6749\u77f6\u7d22\u5c3c\u7535\u5f71\u5de5\u4f5c\u5ba4\u7684\u7c73\u9ad8\u6885\u4e50\u8c31\u53f0\u624b\u5de5\u91c7\u6837\u3002<\/p>\n<p>With four stops and three distinct sonic characters, CineHarpsichord will be suitable for use in scoring and classical applications.<br \/>\ncineharpsicord\u6709\u56db\u4e2a\u505c\u987f\u548c\u4e09\u4e2a\u4e0d\u540c\u7684\u97f3\u8272\u7279\u5f81\uff0c\u9002\u5408\u5728\u4e50\u8c31\u548c\u53e4\u5178\u5e94\u7528\u4e2d\u4f7f\u7528\u3002<\/p>\n<p>There are 3 patches of the harpsichord, each is based on its own mix:<br \/>\n\u5927\u952e\u7434\u67093\u4e2a\u8865\u4e01\uff0c\u6bcf\u4e00\u4e2a\u90fd\u662f\u57fa\u4e8e\u81ea\u5df1\u7684\u6df7\u5408:<\/p>\n<p>01 CineHarpsichord<br \/>\n01 CineHarpsichord<\/p>\n<p>02 Baroque<br \/>\n02\u5df4\u6d1b\u514b\u98ce\u683c<\/p>\n<p>03 Vintage<br \/>\n03\u53e4\u8463<\/p>\n<p>The main mix, 01 CineHarpsichord, includes FULL, CLOSE, ROOM, and SURROUND mixes similiar to our other libraries.<br \/>\n\u4e3b\u8981\u7684\u7ec4\u5408\uff0c01 cineharpsicord\uff0c\u5305\u62ecFULL, CLOSE, ROOM\uff0c\u548cSURROUND\uff0c\u7c7b\u4f3c\u4e8e\u6211\u4eec\u7684\u5176\u4ed6\u5e93\u3002<\/p>\n<p>Use the mix presets on the left for a variety of mix perspectives from Tim&#8217;s Mix (the main mix), Dry and Close, Orch Left and Right, and a custom mix you can save.<br \/>\n\u4f7f\u7528\u6df7\u5408\u9884\u8bbe\u5728\u5de6\u8fb9\u7684\u5404\u79cd\u6df7\u5408\u900f\u89c6\u56fe\uff0c\u4ece\u8482\u59c6\u7684\u6df7\u5408(\u4e3b\u8981\u7684\u6df7\u5408)\uff0c\u5e72\u548c\u5173\u95ed\uff0cOrch\u5de6\u548c\u53f3\uff0c\u548c\u4e00\u4e2a\u5b9a\u5236\u7684\u6df7\u5408\uff0c\u4f60\u53ef\u4ee5\u4fdd\u5b58\u3002<\/p>\n<p>Because the harpsichord is such a percussive instrument, we delayed the close microphones to time-align with the room and surround microphones to prevent that typical flamming effect.<br \/>\n\u56e0\u4e3a\u5927\u952e\u7434\u662f\u4e00\u79cd\u6253\u51fb\u4e50\u5668\uff0c\u6240\u4ee5\u6211\u4eec\u63a8\u8fdf\u4e86\u8fd1\u8ddd\u79bb\u7684\u9ea6\u514b\u98ce\u4ee5\u4e0e\u623f\u95f4\u7684\u65f6\u95f4\u4e00\u81f4\uff0c\u5e76\u63a8\u8fdf\u4e86\u73af\u7ed5\u9ea6\u514b\u98ce\u4ee5\u9632\u6b62\u5178\u578b\u7684\u706b\u7130\u6548\u679c\u3002<\/p>\n<p>That delay is applied within the FULL mix as well as the CLOSE mix.<br \/>\n\u8be5\u5ef6\u8fdf\u9002\u7528\u4e8eFULL\u6df7\u5408\u548cCLOSE\u6df7\u5408\u3002<\/p>\n<p>The 02 Baroque mix is very specific in every aspect &#8211; perspective, image, and tonal shape.<br \/>\n02\u5df4\u6d1b\u514b\u6df7\u5408\u662f\u975e\u5e38\u5177\u4f53\u7684\u5728\u6bcf\u4e2a\u65b9\u9762-\u900f\u89c6\uff0c\u5f62\u8c61\uff0c\u548c\u8272\u8c03\u5f62\u72b6\u3002<\/p>\n<p>Therefore, one stereo fader is all that is needed.<br \/>\n\u56e0\u6b64\uff0c\u4e00\u4e2a\u7acb\u4f53\u58f0\u6e10\u53d8\u662f\u6240\u6709\u9700\u8981\u7684\u3002<\/p>\n<p>This is a more ambient mix with a touch of the close microphones without the time-aligned delay in order to provide a more silky, distant feel.<br \/>\n\u8fd9\u662f\u4e00\u4e2a\u66f4\u73af\u5883\u7684\u6df7\u5408\u89e6\u6478\u8fd1\u9ea6\u514b\u98ce\u6ca1\u6709\u65f6\u95f4\u6821\u51c6\u5ef6\u8fdf\uff0c\u4ee5\u63d0\u4f9b\u66f4\u4e1d\u6ed1\uff0c\u9065\u8fdc\u7684\u611f\u89c9\u3002<\/p>\n<p>The 03 Vintage mix is also very specific in every aspect and thus, only one stereo fader is needed.<br \/>\n03 Vintage mix\u5728\u6bcf\u4e2a\u65b9\u9762\u4e5f\u975e\u5e38\u5177\u4f53\uff0c\u56e0\u6b64\uff0c\u53ea\u6709\u4e00\u4e2a\u7acb\u4f53\u58f0\u63a8\u6746\u662f\u9700\u8981\u7684\u3002<\/p>\n<p>This mix favors a closer perspective with tape emulation and discrete out-board analog treatment including a Chandler EQ and tube harmonic distortion.<br \/>\n\u8fd9\u79cd\u6df7\u5408\u6709\u5229\u4e8e\u78c1\u5e26\u4eff\u771f\u548c\u79bb\u6563\u7684\u5916\u677f\u6a21\u62df\u5904\u7406\uff0c\u5305\u62ec\u94b1\u5fb7\u52d2\u5747\u8861\u5668\u548c\u7ba1\u8c10\u6ce2\u5931\u771f\u66f4\u8fd1\u7684\u89c6\u89d2\u3002<\/p>\n<p>The Perspective Fader<br \/>\n\u89d2\u5ea6\u6e10\u53d8<\/p>\n<p>CineHarpsichord includes our new Perspective Mode feature which allows for changes through microphone positions.<br \/>\ncineharpsicord\u5305\u62ec\u6211\u4eec\u65b0\u7684\u900f\u89c6\u6a21\u5f0f\u529f\u80fd\uff0c\u5141\u8bb8\u901a\u8fc7\u9ea6\u514b\u98ce\u4f4d\u7f6e\u7684\u53d8\u5316\u3002<\/p>\n<p>When you activate Perspective Mode, a slider appears that gives a smooth crossfade between the microphone perspectives.<br \/>\n\u5f53\u60a8\u6fc0\u6d3b\u900f\u89c6\u6a21\u5f0f\u65f6\uff0c\u5c06\u51fa\u73b0\u4e00\u4e2a\u6ed1\u5757\uff0c\u5728\u9ea6\u514b\u98ce\u900f\u89c6\u56fe\u4e4b\u95f4\u63d0\u4f9b\u5e73\u6ed1\u7684\u4ea4\u53c9\u6e10\u53d8\u3002<\/p>\n<p>The slider is automatically mapped to the Mod Wheel, giving instant control of the relative depth of CineHarpsichord.<br \/>\n\u6ed1\u5757\u4f1a\u81ea\u52a8\u6620\u5c04\u5230Mod Wheel\uff0c\u5373\u65f6\u63a7\u5236cineharpsicord\u7684\u76f8\u5bf9\u6df1\u5ea6\u3002<\/p>\n<p>Disposition<br \/>\n\u6027\u683c<\/p>\n<p>The disposition of a harpsichord is the set of choirs of strings it contains.<br \/>\n\u5927\u952e\u7434\u7684\u914d\u7f6e\u662f\u5b83\u6240\u5305\u542b\u7684\u4e00\u7ec4\u5f26\u4e50\u5531\u8bd7\u73ed\u3002<\/p>\n<p>The modern adaptation of a Franco-Flemish 1624 Iohannes R\u00fcckers Colmar harpsichord we sampled had multiple choirs of strings accessible by switching stops.<br \/>\n\u6211\u4eec\u53d6\u6837\u76841624\u5e74\u6cd5\u56fd-\u4f5b\u5170\u8292\u7248\u7ea6\u7ff0\u5185\u65afR\u00fcckers\u79d1\u5c14\u9a6c\u5927\u952e\u7434\u7684\u73b0\u4ee3\u6539\u7f16\u6709\u591a\u4e2a\u5531\u8bd7\u73ed\u7684\u5f26\u901a\u8fc7\u5207\u6362\u505c\u6b62\u3002<\/p>\n<p>These included two sets of 8-foot strings, one set of 4-foot strings, and a buff stop (lute stop) &#8211; a stop that pressed pieces of soft leather against the first 8-foot set of strings to produce a muted, pizzicato tone.<br \/>\n\u5176\u4e2d\u5305\u62ec\u4e24\u7ec48\u82f1\u5c3a\u957f\u7684\u7434\u5f26\uff0c\u4e00\u7ec44\u82f1\u5c3a\u957f\u7684\u7434\u5f26\uff0c\u4ee5\u53ca\u4e00\u4e2a\u7435\u7436\u505c\u97f3(\u7435\u7436\u505c\u97f3)\u2014\u2014\u5c06\u67d4\u8f6f\u7684\u76ae\u9769\u7247\u538b\u5728\u7b2c\u4e00\u7ec48\u82f1\u5c3a\u957f\u7684\u7434\u5f26\u4e0a\uff0c\u4ea7\u751f\u67d4\u548c\u7684\u62e8\u594f\u97f3\u8c03\u3002<\/p>\n<p>Single: 1&#215;8&#8242;<br \/>\n\u5355:1\u00d78\u7684<\/p>\n<p>Double: 2&#215;8&#8242;<br \/>\n\u53cc:2\u00d78\u7684<\/p>\n<p>Triple: 2&#215;8&#8242; + 1&#215;4&#8242;<br \/>\n\u4e09\u500d:2&#215;8&#8242; + 1&#215;4&#8242;<\/p>\n<p>Buff: 1&#215;8&#8242;<br \/>\n\u8ff7:1\u00d78\u7684<\/p>\n<p>On the Triple stop, lower velocities reveal a slight time difference between the choirs of strings.<br \/>\n\u5728\u4e09\u7ad9\uff0c\u8f83\u4f4e\u7684\u901f\u5ea6\u63ed\u793a\u8f7b\u5fae\u7684\u65f6\u95f4\u5dee\u4e4b\u95f4\u7684\u5f26\u4e50\u5531\u8bd7\u73ed\u3002<\/p>\n<p>This is due to the physical mechanism plucking the lower choir of strings before the upper choir.<br \/>\n\u8fd9\u662f\u7531\u4e8e\u7269\u7406\u673a\u5236\u5728\u4e0a\u5c42\u5408\u5531\u56e2\u4e4b\u524d\u62e8\u52a8\u4e0b\u5c42\u5408\u5531\u56e2\u7684\u5f26\u3002<\/p>\n<p>During normal playing, they sound at the same time.<br \/>\n\u5728\u6b63\u5e38\u64ad\u653e\u65f6\uff0c\u5b83\u4eec\u662f\u540c\u65f6\u53d1\u51fa\u58f0\u97f3\u7684\u3002<\/p>\n<p>Round Robin Borrowing<br \/>\n\u8f6e\u5faa\u501f\u6b3e<\/p>\n<p>The RR Borrow knob employes surrounding notes as additional round robins.<br \/>\nRR\u501f\u6b3e\u65cb\u94ae\u96c7\u7528\u5468\u56f4\u7684\u7968\u636e\u4f5c\u4e3a\u989d\u5916\u7684\u8f6e\u77e5\u66f4\u9e1f\u3002<\/p>\n<p>A value of 6 results in up to +\/- a tritone of borrowing providing up to an additional 24 round robins per note.<br \/>\n\u6570\u503c\u4e3a6\u7684\u7ed3\u679c\u662f+\/-\u4e00\u4e2a\u501f\u8c03\u7684\u4e09\u97f3\uff0c\u6bcf\u4e2a\u97f3\u7b26\u63d0\u4f9b24\u8f6e\u989d\u5916\u7684\u8f6e\u8c03\u3002<\/p>\n<p>A value of zero plays two round robins per dynamic level.<br \/>\n\u503c\u4e3a0\u65f6\uff0c\u6bcf\u4e2a\u52a8\u6001\u5173\u5361\u5c06\u7ecf\u53862\u8f6e\u5faa\u73af\u3002<\/p>\n<p>Higher values result in more round robins and more tonal variation.<br \/>\n\u6570\u503c\u8d8a\u9ad8\uff0c\u77e5\u66f4\u9e1f\u7684\u6570\u91cf\u5c31\u8d8a\u591a\uff0c\u97f3\u8c03\u7684\u53d8\u5316\u4e5f\u5c31\u8d8a\u591a\u3002<\/p>\n<p>Release Volume<br \/>\n\u91ca\u653e\u91cf<\/p>\n<p>This knob offers control over the volume of the release samples.<br \/>\n\u8fd9\u4e2a\u65cb\u94ae\u63d0\u4f9b\u4e86\u63a7\u5236\u91ca\u653e\u6837\u54c1\u7684\u4f53\u79ef\u3002<\/p>\n<p>Note: this will affect the ambience of the instrument.<br \/>\n\u6ce8\u610f:\u8fd9\u4f1a\u5f71\u54cd\u4e50\u5668\u7684\u6c14\u6c1b\u3002<\/p>\n<p>Dynamics<br \/>\n\u52a8\u529b\u5b66<\/p>\n<p>Normally there is very little dynamic variation on a harpsichord.<br \/>\n\u901a\u5e38\u7fbd\u7ba1\u952e\u7434\u7684\u52a8\u6001\u53d8\u5316\u5f88\u5c0f\u3002<\/p>\n<p>However, the dynamics control allows for a certain range of variation.<br \/>\n\u7136\u800c\uff0c\u52a8\u6001\u63a7\u5236\u5141\u8bb8\u4e00\u5b9a\u8303\u56f4\u7684\u53d8\u5316\u3002<\/p>\n<p>Requires Kontakt 5.6.8 and above<br \/>\n\u8981\u6c42\u63a5\u89e65.6.8\u53ca\u4ee5\u4e0a<\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; CineHarpsichord is a modern adaptation of a Franco-Flemish 1624 Iohannes R\u00fcckers Colmar harpsichord sample&#8230;<\/p>","protected":false},"author":3,"featured_media":1972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,1],"tags":[315,117,90],"series":[314,105],"class_list":["post-1971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kontakt","category-zyzx","tag-cinesamples","tag-classic","tag-kontakt","series-cinesamples","series-kontakt"],"_links":{"self":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts\/1971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/comments?post=1971"}],"version-history":[{"count":0,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/posts\/1971\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/media\/1972"}],"wp:attachment":[{"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/media?parent=1971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/categories?post=1971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/tags?post=1971"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.linkaudio.cc\/en\/wp-json\/wp\/v2\/series?post=1971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}